走向参与式叙事学

IF 0.9 4区 文学 Q3 COMMUNICATION
Anna Ovaska
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引用次数: 0

摘要

近年来,当代叙事理论的分支已经转向政治、社会和环境意识的研究领域,可以被描述为“参与式叙事学”。这些理论创造和传播关于叙事如何运作的知识,强调叙事形式和策略既不是普遍的,也不是中立的;他们执行不平等和边缘化制度,但也可以挑战这些制度。他们还提出了理论与行动主义、教学干预和社区参与模式的新结合,为创造社会正义提供了工具。本文概述了最近的一些发展,并反思了“参与式叙事学”的可能性:它是如何与参与式研究联系起来的,以及迄今为止已经发展了哪些类型的实践。作为参与叙事学工作的一个例子,它讨论了罗克珊·盖伊(Roxane Gay)的书《饥饿:(我)身体的回忆录》(2017)在多学科叙事医学课堂上的共同细读。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Toward engaged narratology
In recent years, strands of contemporary narrative theory have taken a turn toward a politically, socially, and environmentally conscious field of study that could be characterized as ‘engaged narratology.’ Creating and disseminating knowledge about how narratives work, these theories emphasize that narrative forms and strategies are neither universal nor neutral; they carry out, but can also challenge, systems of inequality and marginalization. They also suggest new combinations of theory and activism, pedagogical interventions, and community engagement models, offering tools to create social justice. This article outlines some of these recent developments and reflects on the possibilities of ‘engaged narratology’: how it relates to engaged research and what kinds of practices have been developed so far. As an example of engaged narratological work, it discusses the shared close reading of Roxane Gay’s book Hunger: A Memoir of (My) Body (2017) in a multidisciplinary narrative medicine classroom.
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来源期刊
Narrative Inquiry
Narrative Inquiry Multiple-
CiteScore
2.10
自引率
14.30%
发文量
14
期刊介绍: Narrative Inquiry is devoted to providing a forum for theoretical, empirical, and methodological work on narrative. Articles appearing in Narrative Inquiry draw upon a variety of approaches and methodologies in the study of narrative as a way to give contour to experience, tradition, and values to next generations. Particular emphasis is placed on theoretical approaches to narrative and the analysis of narratives in human interaction, including those practiced by researchers in psychology, linguistics and related disciplines.
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