{"title":"从叙事到圣像:《基督降生》的描述性起源","authors":"John Lansdowne","doi":"10.1080/02666286.2020.1758886","DOIUrl":null,"url":null,"abstract":"This article examines the shifting iconographical meaning and purpose of the Latin phrase ecce homo in visual art in the later Middle Ages. As told in John 19: 4–5, ecce homo was the terse two-line...","PeriodicalId":44046,"journal":{"name":"WORD & IMAGE","volume":"6 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2024-10-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Narrative to icon: the inscriptive origins of Christ Ecce Homo\",\"authors\":\"John Lansdowne\",\"doi\":\"10.1080/02666286.2020.1758886\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article examines the shifting iconographical meaning and purpose of the Latin phrase ecce homo in visual art in the later Middle Ages. As told in John 19: 4–5, ecce homo was the terse two-line...\",\"PeriodicalId\":44046,\"journal\":{\"name\":\"WORD & IMAGE\",\"volume\":\"6 1\",\"pages\":\"\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2024-10-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"WORD & IMAGE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/02666286.2020.1758886\",\"RegionNum\":3,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"WORD & IMAGE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/02666286.2020.1758886","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
本文探讨了拉丁语短语 ecce homo 在中世纪后期视觉艺术中不断变化的图像意义和目的。正如《约翰福音》第 19 章第 4-5 节所述,"ecce homo "是一个简短的双行短语。
Narrative to icon: the inscriptive origins of Christ Ecce Homo
This article examines the shifting iconographical meaning and purpose of the Latin phrase ecce homo in visual art in the later Middle Ages. As told in John 19: 4–5, ecce homo was the terse two-line...
期刊介绍:
Word & Image concerns itself with the study of the encounters, dialogues and mutual collaboration (or hostility) between verbal and visual languages, one of the prime areas of humanistic criticism. Word & Image provides a forum for articles that focus exclusively on this special study of the relations between words and images. Themed issues are considered occasionally on their merits.