Circe, the female hero. First-person narrative and power in Madeline Miller’s Circe

This article analyzes Madeline Miller’s Circe in relation to the contemporary trend of women’s mythological retellings of marginalized female characters. Because of Circe’s first-person narrative, Miller’s book has been interpreted and marketed as empowering and feminist; however, Circe’s narrative structure rather reaffirms the ideological assumptions underlying the ‘masculine’ Bildungsroman, where the female character’s individual experience is defined by romance and she is ultimately excluded from the social scene. The dichotomy between the marketing rhetoric of empowerment and the novel’s actual narrative structure stimulates a broader reflection about the ideological implication of this novelistic trend as a whole. On the one hand, these novels exploit the well-established exemplary value of Graeco-Roman antiquity to offer a new version of the classical canon which accommodates the critiques of radical movements like feminism; on the other hand, they appropriate the progressive aura of such movements to secure a broader audience while in fact leaving power imbalances unquestioned.