比水更多的城市:Lacy M. Johnson 和 Cheryl Beckett 编著的《休斯顿洪水地图集》(评论)

IF 0.2 3区 文学 0 LITERATURE, AMERICAN
Kelly McKisson
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We could just afford a 500-something-square-foot, second-floor apartment in the Montrose neighborhood. <em>Great location</em> was a common refrain, and at the time it meant a thirty-minute walk from Rice University's campus. Harvey made landfall at the end of the first week of classes. <strong>[End Page 197]</strong> The cat cowered under the couch as we nervously tended a weeping ceiling crack. \"Great location\" meant that on Sunday, August 27, from the second-floor landing, we could take pictures of the flood water swelling through the small parking lot, through the courtyard and to the base of the building. The close, but not too close, proximity was evidence of both disaster and our relative safety.</p> <p>Storms do not discriminate, but human-made policy and infrastructure unevenly distribute vulnerability. As Lacy M. Johnson writes, \"though rain might fall without regard for social or economic disparities, flooding reinforces the inequalities that surround us every day\" (4). Wealthier Houston neighborhoods, such as Montrose, rarely flood, especially not with toxic surges from Houston's oil and chemical refineries. If \"Houston is designed to flood,\" Johnson declares that it is time to tell the difficult story of that design and its uneven impacts (6).</p> <p><em>More City than Water: A Houston Flood Atlas</em>, edited by Johnson, associate professor at Rice, and Cheryl Beckett, associate professor at University of Houston School of Art, takes up this challenge. The book is a project of the Houston Flood Museum (houstonfloodmuseum.org), which Johnson founded after Harvey and which collects stories to make connections between the city's flood history and human activities. The book's twenty-two entries offer histories, personal narratives, conversation, and poetry, and each is paired with artwork designed by senior graphic design students at the University of Houston. Selections might be taught in classes on environmental justice, histories of the Gulf South, sociologies of disaster, or climate change, and students will especially be rewarded by attending to the interplay of text and images.</p> <p><em>More City than Water</em> is a beautiful object, beautiful in the way that wrinkles and scars mark skin with truths of a life lived: the maps visualize difficult realities, for example Houston's thirty-nine wastewater plants and their intimate proximity to bayous and parks (54–55), or the distance between the worst flooded areas of South Houston and life-saving centers of shelter, pharmacy, and medical aid (182–83). The essays explore flood narratives both \"tangible\" and \"invisible,\" a palimpsest that Bryan Washington writes can be revealed by these disaster moments, complicating the city's \"supposed wealth in the face of poverty, its supposed goodness in the midst of <strong>[End Page 198]</strong> neglect\" (114). The histories describe intentional engineering of flood paths, such as Aimee VonBokel, Tanya Debose, and Alexandria Parson's account of Interstate 610's construction, which redirected not only pollution but also bayou water into the Black neighborhood of Independence Heights. Compounding the damages of before come the mistreatment of the after; in her contribution Sonia Marie Del Hierro remembers, \"later, a FEMA agent questioned / my choices: 'The kitchen table seems fine'\" (86). Readers see how the feedback loop of social and political actions mirrors the geophysical consequences of subsident land—Alex Ortiz explains, saltwater intrusion into wetlands harm plant life, which \"expose[s] more land to potential erosion and land loss … the more it happens, the worse it is\" (263).</p> <p>I still cannot quite describe my experience of the storm, as we lived it, nor is this the purpose of <em>More City than Water</em>. This is not a book for bystanders. Readers will be implicated, gaining not only critical insights into the infrastructure of one flood...</p> </p>","PeriodicalId":23875,"journal":{"name":"Western American Literature","volume":"5 1","pages":""},"PeriodicalIF":0.2000,"publicationDate":"2024-09-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"More City Than Water: A Houston Flood Atlas ed. by Lacy M. Johnson and Cheryl Beckett (review)\",\"authors\":\"Kelly McKisson\",\"doi\":\"10.1353/wal.2024.a937419\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span>\\n<p> <span>Reviewed by:</span> <ul> <li><!-- html_title --> <em>More City Than Water: A Houston Flood Atlas</em> ed. by Lacy M. Johnson and Cheryl Beckett <!-- /html_title --></li> <li> Kelly McKisson </li> </ul> Lacy M. Johnson and Cheryl Beckett, eds., <em>More City Than Water: A Houston Flood Atlas</em>. Austin: U of Texas P, 2022. 264 pp, 30 color illustrations, 19 maps. Hardcover, $39.95. <p>Before the 2021 Texas freeze, before the COVID-19 pandemic, my Houston experience was punctuated by Hurricane Harvey. In August 2017 I moved my partner and my cat and our belongings to Houston for graduate school. We could just afford a 500-something-square-foot, second-floor apartment in the Montrose neighborhood. <em>Great location</em> was a common refrain, and at the time it meant a thirty-minute walk from Rice University's campus. Harvey made landfall at the end of the first week of classes. <strong>[End Page 197]</strong> The cat cowered under the couch as we nervously tended a weeping ceiling crack. \\\"Great location\\\" meant that on Sunday, August 27, from the second-floor landing, we could take pictures of the flood water swelling through the small parking lot, through the courtyard and to the base of the building. The close, but not too close, proximity was evidence of both disaster and our relative safety.</p> <p>Storms do not discriminate, but human-made policy and infrastructure unevenly distribute vulnerability. As Lacy M. Johnson writes, \\\"though rain might fall without regard for social or economic disparities, flooding reinforces the inequalities that surround us every day\\\" (4). Wealthier Houston neighborhoods, such as Montrose, rarely flood, especially not with toxic surges from Houston's oil and chemical refineries. If \\\"Houston is designed to flood,\\\" Johnson declares that it is time to tell the difficult story of that design and its uneven impacts (6).</p> <p><em>More City than Water: A Houston Flood Atlas</em>, edited by Johnson, associate professor at Rice, and Cheryl Beckett, associate professor at University of Houston School of Art, takes up this challenge. The book is a project of the Houston Flood Museum (houstonfloodmuseum.org), which Johnson founded after Harvey and which collects stories to make connections between the city's flood history and human activities. The book's twenty-two entries offer histories, personal narratives, conversation, and poetry, and each is paired with artwork designed by senior graphic design students at the University of Houston. Selections might be taught in classes on environmental justice, histories of the Gulf South, sociologies of disaster, or climate change, and students will especially be rewarded by attending to the interplay of text and images.</p> <p><em>More City than Water</em> is a beautiful object, beautiful in the way that wrinkles and scars mark skin with truths of a life lived: the maps visualize difficult realities, for example Houston's thirty-nine wastewater plants and their intimate proximity to bayous and parks (54–55), or the distance between the worst flooded areas of South Houston and life-saving centers of shelter, pharmacy, and medical aid (182–83). The essays explore flood narratives both \\\"tangible\\\" and \\\"invisible,\\\" a palimpsest that Bryan Washington writes can be revealed by these disaster moments, complicating the city's \\\"supposed wealth in the face of poverty, its supposed goodness in the midst of <strong>[End Page 198]</strong> neglect\\\" (114). 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引用次数: 0

摘要

以下是内容的简要摘录,以代替摘要:评论者: More City Than Water:由 Lacy M. Johnson 和 Cheryl Beckett 编辑的《休斯顿洪水地图集》 Kelly McKisson Lacy M. Johnson 和 Cheryl Beckett 编辑:休斯顿洪水地图集》。奥斯汀:德克萨斯大学出版社,2022 年。264 页,30 幅彩色插图,19 幅地图。精装,39.95 美元。在 2021 年德克萨斯州冰冻之前,在 COVID-19 大流行之前,我在休斯顿的经历被哈维飓风所点缀。2017 年 8 月,我带着我的伴侣和我的猫以及我们的物品搬到休斯顿读研究生。我们在蒙特罗斯(Montrose)社区买得起一套500多平方英尺的二楼公寓。地理位置优越是我们常说的一句话,当时这意味着从莱斯大学校园步行三十分钟即可到达。哈维在开学第一周结束时登陆。[在我们紧张地处理天花板裂缝时,猫蜷缩在沙发下。"绝佳的地理位置 "意味着,8 月 27 日星期天,从二楼的平台上,我们可以拍到洪水漫过小停车场、穿过庭院、冲向大楼底部的照片。这种近在咫尺但又不是太近的距离既是灾难的证据,也是我们相对安全的证据。暴风雨无差别,但人为的政策和基础设施却不均衡地分布着脆弱性。正如莱西-M-约翰逊(Lacy M. Johnson)写道,"尽管雨水可能会无视社会或经济差距而落下,但洪水却强化了我们每天都在经历的不平等"(4)。休斯顿较富裕的社区,如蒙特罗斯,很少被洪水淹没,尤其是休斯顿炼油厂和化工厂的有毒气体涌入时。如果说 "休斯顿就是为洪水而设计的",那么约翰逊宣称,是时候讲述这一设计及其不均衡影响的艰难故事了(6)。城市多于水:由莱斯大学副教授约翰逊和休斯顿大学艺术学院副教授谢丽尔-贝克特编辑的《休斯顿洪水地图集》接受了这一挑战。这本书是休斯顿洪水博物馆(houstonfloodmuseum.org)的一个项目,该博物馆是约翰逊在 "哈维 "事件后创建的,它收集了一些故事,将这座城市的洪水历史与人类活动联系起来。书中的 22 个条目包括历史、个人叙事、对话和诗歌,每个条目都配有休斯顿大学平面设计专业高年级学生设计的艺术作品。所选作品可在环境正义、南部海湾历史、灾害社会学或气候变化等课程中讲授,学生们尤其会因关注文字与图像的相互作用而受益匪浅。比水更美的城市》是一部美丽的作品,它的美丽就像皮肤上的皱纹和伤疤一样,烙印着生活的真相:地图将困难的现实形象化,例如休斯顿的 39 家废水处理厂以及它们与河湾和公园的距离(54-55),或者休斯顿南部洪灾最严重地区与避难所、药房和医疗救助中心之间的距离(182-83)。这些文章探讨了 "有形 "和 "无形 "的洪水叙事,布赖恩-华盛顿写道,这些灾难时刻可以揭示出洪水的烙印,使这座城市 "在贫穷面前所谓的富裕,在[第198页完]被忽视中所谓的善良"(114)变得更加复杂。这些史料描述了蓄意修建的泄洪通道,例如艾梅-冯-博克尔、坦雅-德博斯和亚历山大-帕森对 610 号州际公路建设的描述,该工程不仅将污染,还将河口水引向了黑人区独立高地。索尼娅-玛丽-德尔-希耶罗(Sonia Marie Del Hierro)在她的文章中回忆道:"后来,联邦紧急事务管理局的一名工作人员质疑/我的选择:'厨房的桌子看起来不错'"(86)。读者可以看到社会和政治行动的反馈循环如何反映出土地沉降的地球物理后果--亚历克斯-奥尔蒂斯解释说,盐水侵入湿地会损害植物生命,这 "使更多的土地面临潜在的侵蚀和土地流失......发生得越多,情况就越糟糕"(263)。我仍然无法完全描述我们在暴风雨中的经历,这也不是《比水更多的城市》一书的目的。这不是一本写给旁观者的书。读者将被卷入其中,不仅能获得对洪水基础设施的重要见解,还能了解到洪水对城市的影响......
本文章由计算机程序翻译,如有差异,请以英文原文为准。
More City Than Water: A Houston Flood Atlas ed. by Lacy M. Johnson and Cheryl Beckett (review)
In lieu of an abstract, here is a brief excerpt of the content:

Reviewed by:

  • More City Than Water: A Houston Flood Atlas ed. by Lacy M. Johnson and Cheryl Beckett
  • Kelly McKisson
Lacy M. Johnson and Cheryl Beckett, eds., More City Than Water: A Houston Flood Atlas. Austin: U of Texas P, 2022. 264 pp, 30 color illustrations, 19 maps. Hardcover, $39.95.

Before the 2021 Texas freeze, before the COVID-19 pandemic, my Houston experience was punctuated by Hurricane Harvey. In August 2017 I moved my partner and my cat and our belongings to Houston for graduate school. We could just afford a 500-something-square-foot, second-floor apartment in the Montrose neighborhood. Great location was a common refrain, and at the time it meant a thirty-minute walk from Rice University's campus. Harvey made landfall at the end of the first week of classes. [End Page 197] The cat cowered under the couch as we nervously tended a weeping ceiling crack. "Great location" meant that on Sunday, August 27, from the second-floor landing, we could take pictures of the flood water swelling through the small parking lot, through the courtyard and to the base of the building. The close, but not too close, proximity was evidence of both disaster and our relative safety.

Storms do not discriminate, but human-made policy and infrastructure unevenly distribute vulnerability. As Lacy M. Johnson writes, "though rain might fall without regard for social or economic disparities, flooding reinforces the inequalities that surround us every day" (4). Wealthier Houston neighborhoods, such as Montrose, rarely flood, especially not with toxic surges from Houston's oil and chemical refineries. If "Houston is designed to flood," Johnson declares that it is time to tell the difficult story of that design and its uneven impacts (6).

More City than Water: A Houston Flood Atlas, edited by Johnson, associate professor at Rice, and Cheryl Beckett, associate professor at University of Houston School of Art, takes up this challenge. The book is a project of the Houston Flood Museum (houstonfloodmuseum.org), which Johnson founded after Harvey and which collects stories to make connections between the city's flood history and human activities. The book's twenty-two entries offer histories, personal narratives, conversation, and poetry, and each is paired with artwork designed by senior graphic design students at the University of Houston. Selections might be taught in classes on environmental justice, histories of the Gulf South, sociologies of disaster, or climate change, and students will especially be rewarded by attending to the interplay of text and images.

More City than Water is a beautiful object, beautiful in the way that wrinkles and scars mark skin with truths of a life lived: the maps visualize difficult realities, for example Houston's thirty-nine wastewater plants and their intimate proximity to bayous and parks (54–55), or the distance between the worst flooded areas of South Houston and life-saving centers of shelter, pharmacy, and medical aid (182–83). The essays explore flood narratives both "tangible" and "invisible," a palimpsest that Bryan Washington writes can be revealed by these disaster moments, complicating the city's "supposed wealth in the face of poverty, its supposed goodness in the midst of [End Page 198] neglect" (114). The histories describe intentional engineering of flood paths, such as Aimee VonBokel, Tanya Debose, and Alexandria Parson's account of Interstate 610's construction, which redirected not only pollution but also bayou water into the Black neighborhood of Independence Heights. Compounding the damages of before come the mistreatment of the after; in her contribution Sonia Marie Del Hierro remembers, "later, a FEMA agent questioned / my choices: 'The kitchen table seems fine'" (86). Readers see how the feedback loop of social and political actions mirrors the geophysical consequences of subsident land—Alex Ortiz explains, saltwater intrusion into wetlands harm plant life, which "expose[s] more land to potential erosion and land loss … the more it happens, the worse it is" (263).

I still cannot quite describe my experience of the storm, as we lived it, nor is this the purpose of More City than Water. This is not a book for bystanders. Readers will be implicated, gaining not only critical insights into the infrastructure of one flood...

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来源期刊
Western American Literature
Western American Literature LITERATURE, AMERICAN-
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0.30
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