跨文化身份：对《三角帽》（1919 年）中的 jota 的跨学科分析

IF 0.1 3区艺术学 0 DANCE

DANCE CHRONICLE Pub Date : 2024-08-19 DOI:10.1080/01472526.2024.2383502

Gonzalo Preciado-Azanza, Marta Vela

引用次数: 0

摘要

本研究认为，在《三角帽》中加入阿拉贡乔塔（一种民间舞蹈）有助于战时的跨国现代主义。这部现代芭蕾舞剧于 2009 年在法国巴黎歌剧院开幕。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Cross-cultural Identities: An interdisciplinary analysis of the jota in The Three-Cornered Hat (1919)

This study proposes that the inclusion of the Aragonese jota (a type of folk dance) in The Three-Cornered Hat contributed to interwar transnational modernism. The modern ballet, which opened at the...

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来源期刊

DANCE CHRONICLE DANCE-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： For dance scholars, professors, practitioners, and aficionados, Dance Chronicle is indispensable for keeping up with the rapidly changing field of dance studies. Dance Chronicle publishes research on a wide variety of Western and non-Western forms, including classical, avant-garde, and popular genres, often in connection with the related arts: music, literature, visual arts, theatre, and film. Our purview encompasses research rooted in humanities-based paradigms: historical, theoretical, aesthetic, ethnographic, and multi-modal inquiries into dance as art and/or cultural practice. Offering the best from both established and emerging dance scholars, Dance Chronicle is an ideal resource for those who love dance, past and present. Recently, Dance Chronicle has featured special issues on visual arts and dance, literature and dance, music and dance, dance criticism, preserving dance as a living legacy, dancing identity in diaspora, choreographers at the cutting edge, Martha Graham, women choreographers in ballet, and ballet in a global world.