{"title":"非营利诗歌:刘易斯-麦克亚当斯与环境官僚艺术","authors":"Nick Earhart","doi":"10.1093/alh/ajae070","DOIUrl":null,"url":null,"abstract":"Poet Lewis MacAdams is widely regarded as a founder of the movement to restore the Los Angeles River, a 51-mile concrete drainage channel that once served as the region’s primary water source. His nonprofit organization Friends of the Los Angeles River (FoLAR) began as a one-off performance art piece in 1985. Scholars in urban planning and geography have addressed FoLAR as a case study for grassroots environmentalism, but little attention has been paid to the interplay between poetry and politics in MacAdams’s work. Given that MacAdams described FoLAR as a “forty-year artwork to bring the Los Angeles River back to life,” it is worth entertaining the quixotic premise that a nonprofit could double as a conceptual artwork or performance poem. If we consider his literary efforts in conversation with his activism, the premise seems less far-fetched. In this essay, I trace MacAdams’s path from the New York School to the poets’ enclave of Bolinas, California, in the 1970s to the concrete banks of the Los Angeles River. I argue that he devised political-poetic strategies to intervene in planning bureaucracies and that FoLAR should be understood as a durational utopian experiment, pursuing transformative possibilities from within dispiriting everyday conditions.","PeriodicalId":45821,"journal":{"name":"AMERICAN LITERARY HISTORY","volume":"25 1","pages":""},"PeriodicalIF":0.6000,"publicationDate":"2024-08-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Nonprofit Poetry: Lewis MacAdams and the Art of Environmental Bureaucracy\",\"authors\":\"Nick Earhart\",\"doi\":\"10.1093/alh/ajae070\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Poet Lewis MacAdams is widely regarded as a founder of the movement to restore the Los Angeles River, a 51-mile concrete drainage channel that once served as the region’s primary water source. His nonprofit organization Friends of the Los Angeles River (FoLAR) began as a one-off performance art piece in 1985. Scholars in urban planning and geography have addressed FoLAR as a case study for grassroots environmentalism, but little attention has been paid to the interplay between poetry and politics in MacAdams’s work. Given that MacAdams described FoLAR as a “forty-year artwork to bring the Los Angeles River back to life,” it is worth entertaining the quixotic premise that a nonprofit could double as a conceptual artwork or performance poem. If we consider his literary efforts in conversation with his activism, the premise seems less far-fetched. In this essay, I trace MacAdams’s path from the New York School to the poets’ enclave of Bolinas, California, in the 1970s to the concrete banks of the Los Angeles River. I argue that he devised political-poetic strategies to intervene in planning bureaucracies and that FoLAR should be understood as a durational utopian experiment, pursuing transformative possibilities from within dispiriting everyday conditions.\",\"PeriodicalId\":45821,\"journal\":{\"name\":\"AMERICAN LITERARY HISTORY\",\"volume\":\"25 1\",\"pages\":\"\"},\"PeriodicalIF\":0.6000,\"publicationDate\":\"2024-08-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"AMERICAN LITERARY HISTORY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1093/alh/ajae070\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, AMERICAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"AMERICAN LITERARY HISTORY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1093/alh/ajae070","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, AMERICAN","Score":null,"Total":0}
Nonprofit Poetry: Lewis MacAdams and the Art of Environmental Bureaucracy
Poet Lewis MacAdams is widely regarded as a founder of the movement to restore the Los Angeles River, a 51-mile concrete drainage channel that once served as the region’s primary water source. His nonprofit organization Friends of the Los Angeles River (FoLAR) began as a one-off performance art piece in 1985. Scholars in urban planning and geography have addressed FoLAR as a case study for grassroots environmentalism, but little attention has been paid to the interplay between poetry and politics in MacAdams’s work. Given that MacAdams described FoLAR as a “forty-year artwork to bring the Los Angeles River back to life,” it is worth entertaining the quixotic premise that a nonprofit could double as a conceptual artwork or performance poem. If we consider his literary efforts in conversation with his activism, the premise seems less far-fetched. In this essay, I trace MacAdams’s path from the New York School to the poets’ enclave of Bolinas, California, in the 1970s to the concrete banks of the Los Angeles River. I argue that he devised political-poetic strategies to intervene in planning bureaucracies and that FoLAR should be understood as a durational utopian experiment, pursuing transformative possibilities from within dispiriting everyday conditions.
期刊介绍:
Recent Americanist scholarship has generated some of the most forceful responses to questions about literary history and theory. Yet too many of the most provocative essays have been scattered among a wide variety of narrowly focused publications. Covering the study of US literature from its origins through the present, American Literary History provides a much-needed forum for the various, often competing voices of contemporary literary inquiry. Along with an annual special issue, the journal features essay-reviews, commentaries, and critical exchanges. It welcomes articles on historical and theoretical problems as well as writers and works. Inter-disciplinary studies from related fields are also invited.