{"title":"乔-罗根体验平台化:取消文化、喜剧和基础设施","authors":"Nicola Bozzi","doi":"10.1177/15274764241277476","DOIUrl":null,"url":null,"abstract":"This paper outlines a cultural critique of the Joe Rogan Experience. Framing the podcast as an adaptive cultural platform, I emphasize how it is ideologically informed by both the established infrastructure and dynamics of communicative capitalism and Joe Rogan’s ethos as a comedian. The paper discusses three ways Joe Rogan and his format negotiate their relationship with platform infrastructures. The first is Rogan’s relationship with Spotify and his interest in shaping “cancel discourses” and, subsequently, his own role as an embedded, “uncancellable” skeptic. The second is the combination of Rogan’s roast universalism and pioneering speech-a-ton format, designed to establish an infrastructure for platforming his cohort of podcasting comedians on YouTube. The third is Rogan’s relationship with platform-owner Elon Musk, whose communicative capitalist agenda has political implications. The paper establishes a theoretical connection between studies of platformisation and the under-studied cultural influence of podcasting comedians.","PeriodicalId":51551,"journal":{"name":"Television & New Media","volume":"307 1","pages":""},"PeriodicalIF":2.4000,"publicationDate":"2024-08-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Platforming the Joe Rogan Experience: Cancel Culture, Comedy, and Infrastructure\",\"authors\":\"Nicola Bozzi\",\"doi\":\"10.1177/15274764241277476\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper outlines a cultural critique of the Joe Rogan Experience. Framing the podcast as an adaptive cultural platform, I emphasize how it is ideologically informed by both the established infrastructure and dynamics of communicative capitalism and Joe Rogan’s ethos as a comedian. The paper discusses three ways Joe Rogan and his format negotiate their relationship with platform infrastructures. The first is Rogan’s relationship with Spotify and his interest in shaping “cancel discourses” and, subsequently, his own role as an embedded, “uncancellable” skeptic. The second is the combination of Rogan’s roast universalism and pioneering speech-a-ton format, designed to establish an infrastructure for platforming his cohort of podcasting comedians on YouTube. The third is Rogan’s relationship with platform-owner Elon Musk, whose communicative capitalist agenda has political implications. The paper establishes a theoretical connection between studies of platformisation and the under-studied cultural influence of podcasting comedians.\",\"PeriodicalId\":51551,\"journal\":{\"name\":\"Television & New Media\",\"volume\":\"307 1\",\"pages\":\"\"},\"PeriodicalIF\":2.4000,\"publicationDate\":\"2024-08-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Television & New Media\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1177/15274764241277476\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Television & New Media","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1177/15274764241277476","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"COMMUNICATION","Score":null,"Total":0}
Platforming the Joe Rogan Experience: Cancel Culture, Comedy, and Infrastructure
This paper outlines a cultural critique of the Joe Rogan Experience. Framing the podcast as an adaptive cultural platform, I emphasize how it is ideologically informed by both the established infrastructure and dynamics of communicative capitalism and Joe Rogan’s ethos as a comedian. The paper discusses three ways Joe Rogan and his format negotiate their relationship with platform infrastructures. The first is Rogan’s relationship with Spotify and his interest in shaping “cancel discourses” and, subsequently, his own role as an embedded, “uncancellable” skeptic. The second is the combination of Rogan’s roast universalism and pioneering speech-a-ton format, designed to establish an infrastructure for platforming his cohort of podcasting comedians on YouTube. The third is Rogan’s relationship with platform-owner Elon Musk, whose communicative capitalist agenda has political implications. The paper establishes a theoretical connection between studies of platformisation and the under-studied cultural influence of podcasting comedians.
期刊介绍:
Television & New Media explores the field of television studies, focusing on audience ethnography, public policy, political economy, cultural history, and textual analysis. Special topics covered include digitalization, active audiences, cable and satellite issues, pedagogy, interdisciplinary matters, and globalization, as well as race, gender, and class issues.