{"title":"荒谬的阴谋剧场：作为戏仿超时空剧的 \"鸟儿不真实","authors":"Ryan Neville-Shepard, Meredith Neville-Shepard","doi":"10.1080/02773945.2024.2375196","DOIUrl":null,"url":null,"abstract":"Emerging from an ad hoc effort to counter Trump supporters at a 2017 Women’s March, the Birds Aren’t Real movement has transformed from viral performance art into a Gen Z response to political cons...","PeriodicalId":45453,"journal":{"name":"Rhetoric Society Quarterly","volume":null,"pages":null},"PeriodicalIF":1.1000,"publicationDate":"2024-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Conspiracy Theater of the Absurd: “Birds Aren’t Real” as Parodic Hypermimesis\",\"authors\":\"Ryan Neville-Shepard, Meredith Neville-Shepard\",\"doi\":\"10.1080/02773945.2024.2375196\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Emerging from an ad hoc effort to counter Trump supporters at a 2017 Women’s March, the Birds Aren’t Real movement has transformed from viral performance art into a Gen Z response to political cons...\",\"PeriodicalId\":45453,\"journal\":{\"name\":\"Rhetoric Society Quarterly\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":1.1000,\"publicationDate\":\"2024-08-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Rhetoric Society Quarterly\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1080/02773945.2024.2375196\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Rhetoric Society Quarterly","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/02773945.2024.2375196","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"COMMUNICATION","Score":null,"Total":0}
引用次数: 0
摘要
小鸟不是真的 "运动源于 2017 年妇女游行中反击特朗普支持者的一次临时努力，它已从病毒式行为艺术转变为 Z 世代对政治弊端的回应。
Conspiracy Theater of the Absurd: “Birds Aren’t Real” as Parodic Hypermimesis
Emerging from an ad hoc effort to counter Trump supporters at a 2017 Women’s March, the Birds Aren’t Real movement has transformed from viral performance art into a Gen Z response to political cons...
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