{"title":"战时的孤独聆听、版权和再创作：话语理论方法","authors":"ULRIK VOLGSTEN","doi":"10.1017/s1478572224000082","DOIUrl":null,"url":null,"abstract":"<jats:disp-quote> An utterly remarkable device [the phonograph] … and no one can as yet envision all the remarkable that may follow from this invention. <jats:attrib>Ann Charlotte Leffler (1878)<jats:sup>1</jats:sup></jats:attrib> </jats:disp-quote>","PeriodicalId":43259,"journal":{"name":"Twentieth-Century Music","volume":"39 1","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2024-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Solitary Listening, Copyright, and Reification during the Interwar Years: A Discourse Theoretic Approach\",\"authors\":\"ULRIK VOLGSTEN\",\"doi\":\"10.1017/s1478572224000082\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<jats:disp-quote> An utterly remarkable device [the phonograph] … and no one can as yet envision all the remarkable that may follow from this invention. <jats:attrib>Ann Charlotte Leffler (1878)<jats:sup>1</jats:sup></jats:attrib> </jats:disp-quote>\",\"PeriodicalId\":43259,\"journal\":{\"name\":\"Twentieth-Century Music\",\"volume\":\"39 1\",\"pages\":\"\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2024-08-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Twentieth-Century Music\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1017/s1478572224000082\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Twentieth-Century Music","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1017/s1478572224000082","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Solitary Listening, Copyright, and Reification during the Interwar Years: A Discourse Theoretic Approach
An utterly remarkable device [the phonograph] … and no one can as yet envision all the remarkable that may follow from this invention. Ann Charlotte Leffler (1878)1
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