无限还是无限？从费奥多尔-陀思妥耶夫斯基的视角看莱奥帕尔迪的《无限

IF 0.3 3区文学 0 HUMANITIES, MULTIDISCIPLINARY

Italian Studies Pub Date : 2024-08-14 DOI:10.1080/00751634.2024.2383545

Luca Costa

引用次数: 0

摘要

莱奥帕尔迪在他的作品中采用了无限和不确定的传统区分，这引发了一个在莱奥帕尔迪研究中很少被提出的问题：真正的无限在莱奥帕尔迪的作品中扮演什么角色？

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Infinite or Indefinite? Leopardi’s Infinite through the Lens of Fyodor Dostoevsky

Leopardi employs the traditional distinction between infinite and indefinite in his works, prompting a question rarely asked in Leopardi studies: what is the role of the true infinite in Leopardi’s...

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来源期刊

Italian Studies Multiple-

CiteScore

0.40

自引率

0.00%

发文量

期刊介绍： Italian Studies has a national and international reputation for academic and scholarly excellence, publishing original articles (in Italian or English) on a wide range of Italian cultural concerns from the Middle Ages to the contemporary era. The journal warmly welcomes submissions covering a range of disciplines and inter-disciplinary subjects from scholarly and critical work on Italy"s literary culture and linguistics to Italian history and politics, film and art history, and gender and cultural studies. It publishes two issues per year, normally including one special themed issue and occasional interviews with leading scholars.The reviews section in the journal includes articles and short reviews on a broad spectrum of recent works of scholarship.