我是个女人男人，女人，M-女人。- 马利卡-穆斯塔法短篇小说中的身份、性和身体

IF 0.2 3区文学 0 LITERATURE

CRITIQUE-STUDIES IN CONTEMPORARY FICTION Pub Date : 2024-08-14 DOI:10.1080/00111619.2024.2391371

Ikram Ben Talha, Brahim Barhoun

引用次数: 0

摘要

这篇文章将 Malika Moustadraf 最近翻译的短篇小说集视为新一代摩洛哥女性写作的一个实例，颠覆了人们对女性的传统期望。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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’’I’m a Woman. Man, Woman, M–Woman.’’ – Identity, Sexuality, and the Body in the Short Fiction of Malika Moustadraf

This article reads Malika Moustadraf’s recently translated collection of short stories as an instance of a new generation of Moroccan female writing that subverts conventional expectations of femal...

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来源期刊

CRITIQUE-STUDIES IN CONTEMPORARY FICTION LITERATURE-

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期刊介绍： Since its inception in the 1950s, Critique has consistently identified the most notable novelists of our time. In the pages of Critique appeared the first authoritative discussions of Bellow and Malamud in the ''50s, Barth and Hawkes in the ''60s, Pynchon, Elkin, Vonnegut, and Coover in the ''70s; DeLillo, Atwood, Morrison, and García Márquez in the ''80s; Auster, Amy Tan, David Foster Wallace, and Nurrudin Farah in the ''90s; and Lorrie Moore and Mark Danielewski in the new century. Readers go to Critique for critical essays on new authors with emerging reputations, but the general focus of the journal is fiction after 1950 from any country. Critique is published five times a year.