贡献者

IF 0.5 2区 文学 0 LITERATURE
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引用次数: 0

摘要

以下是内容的简要摘录,以代替摘要: 作者劳拉-施罗克-克劳福德(Laura Schrock Crawford)是桑福德大学英语客座助理教授。在来到桑福德大学之前,她曾担任贾德森学院英语系主任和人文与艺术分部主席,直至该学院于 2021 年关闭。克劳福德于 2015 年在密西西比大学获得博士学位,她目前的研究和教学兴趣包括人生阶段、自我身份和哥特式小说研究。德里克-埃滕森(Derek Ettensohn)是南方大学西瓦尼分校英语和人文科学副教授。他从事全球英语文学和健康人文领域的研究。他的研究领域是电影和当代英语小说中对疾病和护理伦理的表现。Mi Jeong Lee 是韩国首尔国立大学英语语言文学系助理教授,教授现当代英国文学。她目前的研究重点是空间性、全球形式和大规模灾难叙事。她的作品发表在《现代文学杂志》、《英语语言与文学期刊》等刊物上。Elly McCausland 是根特大学英国文学副教授。她是《马洛里的魔法书》的作者:亚瑟王与儿童,1862-1980》(2019 年)和《儿童冒险文学中的风险》(2024 年)。她的研究兴趣包括中世纪主义、生态批评、儿童文学、鲁东叙事学、维多利亚文学和帝国浪漫主义。她还是一位屡获殊荣的美食作家。Alejandra Ortega 是杜帕奇学院英语系助理教授。她是二十世纪和二十一世纪文学学者,曾获得美国大学妇女协会奖学金。她的研究兴趣包括空间理论、生态批评、后殖民理论、性别和叙事学。她的作品曾发表在《ISLE》和《Rhizomes》等刊物上。她还为《密歇根打捞:邦妮-乔-坎贝尔的小说》(密歇根州立大学,2023 年)撰写了一章。版权所有 © 2024 约翰-霍普金斯大学出版社和北德克萨斯大学 ...
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Contributors
In lieu of an abstract, here is a brief excerpt of the content:

  • Contributors

Laura Schrock Crawford is Visiting Assistant Professor of English at Samford University. Prior to coming to Samford, she served as English Department Head and Humanities and Fine Arts Division Chair at Judson College until its closure in 2021. Crawford completed her PhD at the University of Mississippi in 2015, and her current research and teaching interests include studies in life stages, selfhood, and the Gothic novel.

Derek Ettensohn is Associate Professor of English and the Humanities at Sewanee: The University of the South. He works in the fields of global Anglophone literature and the health humanities. His research is interested in the representation of illness and the ethics of care in film and the contemporary Anglophone novel.

Mi Jeong Lee is an assistant professor in the Department of English Language and Literature at Seoul National University, in South Korea, where she teaches modern and contemporary British literature. Her current research focuses on spatiality, forms of the global, and narratives of large-scale catastrophe. Her work has appeared in Journal of Modern Literature, The Journal of English Language & Literature, and elsewhere.

Elly McCausland is Associate Professor of English Literature at Ghent University. She is the author of Malory's Magic Book: King Arthur and the Child, 1862–1980 (2019) and Risk in Children's Adventure Literature (2024). Her research interests include medievalism, ecocriticism, children's literature, ludonarratology, Victorian literature, and imperial romance. She is also an award-winning food writer.

Alejandra Ortega is Assistant Professor of English at the College of DuPage. A scholar of twentieth- and twenty-first-century literature, she has previously held a fellowship with the American Association of University Women. Her research interests include spatial theory, ecocriticism, postcolonial theory, gender, and narratology. Her work has been published in ISLE and Rhizomes, among other venues. She has also contributed a chapter to Michigan Salvage: The Fiction of Bonnie Jo Campbell (Michigan State UP, 2023).

Copyright © 2024 The Johns Hopkins University Press and the University of North Texas ...

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来源期刊
STUDIES IN THE NOVEL
STUDIES IN THE NOVEL LITERATURE-
CiteScore
0.40
自引率
0.00%
发文量
28
期刊介绍: From its inception, Studies in the Novel has been dedicated to building a scholarly community around the world-making potentialities of the novel. Studies in the Novel started as an idea among several members of the English Department of the University of North Texas during the summer of 1965. They determined that there was a need for a journal “devoted to publishing critical and scholarly articles on the novel with no restrictions on either chronology or nationality of the novelists studied.” The founding editor, University of North Texas professor of contemporary literature James W. Lee, envisioned a journal of international scope and influence. Since then, Studies in the Novel has staked its reputation upon publishing incisive scholarship on the canon-forming and cutting-edge novelists that have shaped the genre’s rich history. The journal continues to break new ground by promoting new theoretical approaches, a broader international scope, and an engagement with the contemporary novel as a form of social critique.
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