求助PDF
{"title":"桦树与小溪的静物》和《桦树与小溪的静物》:布卢姆海德不引人注目的乡村纯真事例","authors":"Ariana Benson","doi":"10.1353/cal.2024.a935711","DOIUrl":null,"url":null,"abstract":"<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span>\n<p> <ul> <li><!-- html_title --> Still Life with Birch and Creek, and: Bloomhead, and: Instances of Unremarkable Countryside Innocence <!-- /html_title --></li> <li> Ariana Benson (bio) </li> </ul> <h2>STILL LIFE WITH BIRCH AND CREEK</h2> <p><span>Walking through the swamp, bowing</span><span>under matted locks of birch, I long to be known</span></p> <p><span>as the damp cardinal longs to know</span><span>his brown counterpart</span></p> <p><span>has heard his wailing.</span><span>Though, since a trilled echo</span></p> <p><span>is the only confirmation of this</span><span>listening, it's impossible</span></p> <p><span>for all to know such reprieve, such desire</span><span>doused, at once. The shock</span></p> <p><span>—red bird, the dozing rodents, all waiting</span><span>to know they are wanted, which is to know</span></p> <p><span>they exist. But everyone can't know this</span><span>at the same time. Where one</span></p> <p><span>is touched, another must make do</span><span>with only their own soft</span></p> <p><span>hand. Like the patient evening</span><span>bats, I believe I am owed</span></p> <p><span>a gentleness, the kind that leaves</span><span>trails in the night sky, like those</span></p> <p><span>made by fingers run down the velour</span><span>of fur—no material change, but skin</span></p> <p><span>left darker, as if wet by touch. My darkness</span><span>demands to be held on the tongue, <strong>[End Page 5]</strong></span></p> <p><span>and so heard. The minnows,</span><span>hearing algae foaming in their creek,</span></p> <p><span>let their lips skim the drifting green</span><span>until it hisses relieved undoing. <strong>[End Page 6]</strong></span></p> <h2>BLOOMHEAD</h2> <p><span>This year, there was no keeping</span><span>the aphids away. A shame, though</span><span>I've long grown used to being</span></p> <p><span>gnawed at—latticed—by even the sparest</span><span>of jaws. The horizon, for her part,</span><span>each day sooner and sooner, spits</span></p> <p><span>up the sun. Call it yellow if you must—</span><span>I've done my best to spring</span><span>what parts of me most need caress,</span></p> <p><span>need touching. <em>What wilts</em></span><span><em>is what needed to fall away</em>,</span><span>I tell myself, yawning, begging</span></p> <p><span>the sky, against my best interest,</span><span>for more sleep. I am only human,</span><span>after all. I bow at the feet of light</span><span>as do all the living. All my weary kin. <strong>[End Page 7]</strong></span></p> <h2>INSTANCES OF UNREMARKABLE COUNTRYSIDE INNOCENCE</h2> <p><span>Take, for example, the horse. Not the stallion, the satin</span><span>-sheened result of a perfect recipe. Nor the wild mare,</span></p> <p><span>romping in pampas grass, yellow yarrow underhoof. Just</span><span>a stablehorse: plain, trusting anyone holding out a sweet palm. <strong>[End Page 8]</strong></span></p> Ariana Benson <p><strong>ARIANA BENSON</strong> is a Southern Black ecopoet. Their debut collection, <em>Black Pastoral</em> (University of Georgia Press, 2023) won the Cave Canem Poetry Prize and was a finalist for the National Books Critics Circle Leonard Prize. A Ruth Lilly and Dorothy Sargent Rosenberg Fellow, Benson has also received the Furious Flower Poetry Prize and the Graybeal Gowen Prize for Virginia Poets. Her poems and essays appear or are forthcoming in <em>Poetry Magazine, Ploughshares, Poem-a-Day, The Yale Review, The Kenyon Review</em>, and elsewhere. Through her writing, she strives to fashion vignettes of Blackness that speak to its infinite depth and richness.</p> <p></p> Copyright © 2024 Johns Hopkins University Press ... </p>","PeriodicalId":501435,"journal":{"name":"Callaloo","volume":"23 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Still Life with Birch and Creek, and: Bloomhead, and: Instances of Unremarkable Countryside Innocence\",\"authors\":\"Ariana Benson\",\"doi\":\"10.1353/cal.2024.a935711\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span>\\n<p> <ul> <li><!-- html_title --> Still Life with Birch and Creek, and: Bloomhead, and: Instances of Unremarkable Countryside Innocence <!-- /html_title --></li> <li> Ariana Benson (bio) </li> </ul> <h2>STILL LIFE WITH BIRCH AND CREEK</h2> <p><span>Walking through the swamp, bowing</span><span>under matted locks of birch, I long to be known</span></p> <p><span>as the damp cardinal longs to know</span><span>his brown counterpart</span></p> <p><span>has heard his wailing.</span><span>Though, since a trilled echo</span></p> <p><span>is the only confirmation of this</span><span>listening, it's impossible</span></p> <p><span>for all to know such reprieve, such desire</span><span>doused, at once. The shock</span></p> <p><span>—red bird, the dozing rodents, all waiting</span><span>to know they are wanted, which is to know</span></p> <p><span>they exist. But everyone can't know this</span><span>at the same time. Where one</span></p> <p><span>is touched, another must make do</span><span>with only their own soft</span></p> <p><span>hand. Like the patient evening</span><span>bats, I believe I am owed</span></p> <p><span>a gentleness, the kind that leaves</span><span>trails in the night sky, like those</span></p> <p><span>made by fingers run down the velour</span><span>of fur—no material change, but skin</span></p> <p><span>left darker, as if wet by touch. My darkness</span><span>demands to be held on the tongue, <strong>[End Page 5]</strong></span></p> <p><span>and so heard. The minnows,</span><span>hearing algae foaming in their creek,</span></p> <p><span>let their lips skim the drifting green</span><span>until it hisses relieved undoing. <strong>[End Page 6]</strong></span></p> <h2>BLOOMHEAD</h2> <p><span>This year, there was no keeping</span><span>the aphids away. A shame, though</span><span>I've long grown used to being</span></p> <p><span>gnawed at—latticed—by even the sparest</span><span>of jaws. The horizon, for her part,</span><span>each day sooner and sooner, spits</span></p> <p><span>up the sun. Call it yellow if you must—</span><span>I've done my best to spring</span><span>what parts of me most need caress,</span></p> <p><span>need touching. <em>What wilts</em></span><span><em>is what needed to fall away</em>,</span><span>I tell myself, yawning, begging</span></p> <p><span>the sky, against my best interest,</span><span>for more sleep. I am only human,</span><span>after all. I bow at the feet of light</span><span>as do all the living. All my weary kin. <strong>[End Page 7]</strong></span></p> <h2>INSTANCES OF UNREMARKABLE COUNTRYSIDE INNOCENCE</h2> <p><span>Take, for example, the horse. Not the stallion, the satin</span><span>-sheened result of a perfect recipe. Nor the wild mare,</span></p> <p><span>romping in pampas grass, yellow yarrow underhoof. Just</span><span>a stablehorse: plain, trusting anyone holding out a sweet palm. <strong>[End Page 8]</strong></span></p> Ariana Benson <p><strong>ARIANA BENSON</strong> is a Southern Black ecopoet. Their debut collection, <em>Black Pastoral</em> (University of Georgia Press, 2023) won the Cave Canem Poetry Prize and was a finalist for the National Books Critics Circle Leonard Prize. A Ruth Lilly and Dorothy Sargent Rosenberg Fellow, Benson has also received the Furious Flower Poetry Prize and the Graybeal Gowen Prize for Virginia Poets. Her poems and essays appear or are forthcoming in <em>Poetry Magazine, Ploughshares, Poem-a-Day, The Yale Review, The Kenyon Review</em>, and elsewhere. Through her writing, she strives to fashion vignettes of Blackness that speak to its infinite depth and richness.</p> <p></p> Copyright © 2024 Johns Hopkins University Press ... </p>\",\"PeriodicalId\":501435,\"journal\":{\"name\":\"Callaloo\",\"volume\":\"23 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-08-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Callaloo\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/cal.2024.a935711\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Callaloo","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/cal.2024.a935711","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
引用
批量引用
Still Life with Birch and Creek, and: Bloomhead, and: Instances of Unremarkable Countryside Innocence
In lieu of an abstract, here is a brief excerpt of the content:
Still Life with Birch and Creek, and: Bloomhead, and: Instances of Unremarkable Countryside Innocence Ariana Benson (bio) STILL LIFE WITH BIRCH AND CREEK Walking through the swamp, bowing under matted locks of birch, I long to be known
as the damp cardinal longs to know his brown counterpart
has heard his wailing. Though, since a trilled echo
is the only confirmation of this listening, it's impossible
for all to know such reprieve, such desire doused, at once. The shock
—red bird, the dozing rodents, all waiting to know they are wanted, which is to know
they exist. But everyone can't know this at the same time. Where one
is touched, another must make do with only their own soft
hand. Like the patient evening bats, I believe I am owed
a gentleness, the kind that leaves trails in the night sky, like those
made by fingers run down the velour of fur—no material change, but skin
left darker, as if wet by touch. My darkness demands to be held on the tongue, [End Page 5]
and so heard. The minnows, hearing algae foaming in their creek,
let their lips skim the drifting green until it hisses relieved undoing. [End Page 6]
BLOOMHEAD This year, there was no keeping the aphids away. A shame, though I've long grown used to being
gnawed at—latticed—by even the sparest of jaws. The horizon, for her part, each day sooner and sooner, spits
up the sun. Call it yellow if you must— I've done my best to spring what parts of me most need caress,
need touching. What wilts is what needed to fall away ,I tell myself, yawning, begging
the sky, against my best interest, for more sleep. I am only human, after all. I bow at the feet of light as do all the living. All my weary kin. [End Page 7]
INSTANCES OF UNREMARKABLE COUNTRYSIDE INNOCENCE Take, for example, the horse. Not the stallion, the satin -sheened result of a perfect recipe. Nor the wild mare,
romping in pampas grass, yellow yarrow underhoof. Just a stablehorse: plain, trusting anyone holding out a sweet palm. [End Page 8]
Ariana Benson
ARIANA BENSON is a Southern Black ecopoet. Their debut collection, Black Pastoral (University of Georgia Press, 2023) won the Cave Canem Poetry Prize and was a finalist for the National Books Critics Circle Leonard Prize. A Ruth Lilly and Dorothy Sargent Rosenberg Fellow, Benson has also received the Furious Flower Poetry Prize and the Graybeal Gowen Prize for Virginia Poets. Her poems and essays appear or are forthcoming in Poetry Magazine, Ploughshares, Poem-a-Day, The Yale Review, The Kenyon Review , and elsewhere. Through her writing, she strives to fashion vignettes of Blackness that speak to its infinite depth and richness.
Copyright © 2024 Johns Hopkins University Press ...