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{"title":"士兵的母亲》,以及给像我这样大嗓门的女人》,以及恩典与仁慈》,以及为了不哭泣","authors":"Amanda Johnston","doi":"10.1353/cal.2024.a935724","DOIUrl":null,"url":null,"abstract":"<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span>\n<p> <ul> <li><!-- html_title --> The Soldier's Mother, and: For Loud Women Like Me, and: Grace & Kindness, and: To Keep From Crying <!-- /html_title --></li> <li> Amanda Johnston (bio) </li> </ul> <h2>THE SOLDIER'S MOTHER</h2> <p><em>Fort Knox, 2001</em></p> <p>In the PX, she tells me her son is joining the Army, and we share the face of birthing loss, the knowing that our children are not meant to live forever but not meant to die like this. A television flickers in the background with the sound off to not disturb the passing customers. <em>Five dead, more injured</em>. Overthere came home with him, another mother's son flailing against the ghosts of his demons. <em>The voices</em>, he said, <em>the departments</em>, he said, <em>kill</em>, they said, and released him to his mother when every face he saw blurred into a target. A mother somewhere collapses and thanks God. A mother somewhere collapses in search of God. Another mother in a hospital, at the morgue, in a church, prays to a silence in the shape of god. <strong>[End Page 74]</strong></p> <h2>FOR LOUD WOMEN LIKE ME</h2> <p><span>when it's a good holla</span><span>and you can see my teeth</span><span>in the back of my mouth</span><span>you'll know you've found</span><span>the best of me, rich with spirits</span><span>full on good folk</span><span>going on about something</span><span>no one will remember but</span><span>somebody told the truth</span><span>somebody's testifying</span><span>somebody's laughing</span><span>the salt to sweet</span><span>somebody found honey</span><span>in the marrow of the night</span><span>and passed the cup around <strong>[End Page 75]</strong></span></p> <h2>GRACE & KINDNESS</h2> <p><em>for the congregation of Mother Emanuel AME Church</em></p> <p><span>Because <em>god don't like ugly</em></span><span>Because <em>make a bigger table</em></span><span>Because <em>build a bigger boat</em></span><span>Because <em>all god's children</em></span><span>Because <em>come as you are</em></span><span>Because <em>mind your business</em></span><span>Because <em>do unto others</em></span><span>Because <em>they not all bad</em></span><span>Because <em>kill 'em with kindness</em></span><span>Because <em>laugh to keep from crying</em></span><span>Because <em>open-door policy</em></span><span>Because <em>open-arms</em></span><span>Because <em>what would jesus do</em></span><span>Because <em>the more the merrier</em></span><span>Because <em>the devil in the details</em></span><span>Because <em>no questions asked</em></span><span>Because <em>the devil stays busy</em></span><span>Because <em>the devil you know</em></span><span>Because <em>we knew better</em></span></p> <p><span><em>the hell we did</em> <strong>[End Page 76]</strong></span></p> <h2>TO KEEP FROM CRYING</h2> <p><span>we know the many ways</span><span>we risk our lives</span></p> <p><span>breathing, sleeping, walking</span><span>under an open sky</span></p> <p><span>how brazen our persistent existence</span><span>how bold the base in our hearts</span></p> <p><span>danger blooms big as our joy</span><span>wide as our smiles</span></p> <p><span>and we keep on keepin' on</span><span>laughing all the way <strong>[End Page 77]</strong></span></p> Amanda Johnston <p><strong>AMANDA JOHNSTON</strong> is a writer, visual artist, and the 2024 Texas Poet Laureate. She earned an MFA in Creative Writing from the University of Southern Maine. She is the author of two chapbooks, <em>GUAP</em> and <em>Lock & Key</em>, and the full-length collection <em>Another Way to Say Enter</em>. Her work has appeared in numerous online and print publications, among them, <em>Poetry Magazine</em>, the Academy of American Poets Poem-a-Day series, The Moth Radio Hour, and the anthologies, <em>Furious Flower: Seeding the Future of African American Poetry</em> and <em>Women of Resistance: Poems for a New Feminism</em>. She has received fellowships, grants, and awards from Cave Canem, Hedgebrook, Tasajillo, the Kentucky Foundation for Women, The Watermill Center, American Short Fiction, and the Austin International Poetry Festival. She is a former board president of Cave Canem Foundation, a member of the Affrilachian Poets, and founder/executive director of Torch Literary Arts.</p> <p></p> Copyright © 2024 Johns Hopkins University Press ... </p>","PeriodicalId":501435,"journal":{"name":"Callaloo","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-08-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Soldier's Mother, and: For Loud Women Like Me, and: Grace & Kindness, and: To Keep From Crying\",\"authors\":\"Amanda Johnston\",\"doi\":\"10.1353/cal.2024.a935724\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<span><span>In lieu of</span> an abstract, here is a brief excerpt of the content:</span>\\n<p> <ul> <li><!-- html_title --> The Soldier's Mother, and: For Loud Women Like Me, and: Grace & Kindness, and: To Keep From Crying <!-- /html_title --></li> <li> Amanda Johnston (bio) </li> </ul> <h2>THE SOLDIER'S MOTHER</h2> <p><em>Fort Knox, 2001</em></p> <p>In the PX, she tells me her son is joining the Army, and we share the face of birthing loss, the knowing that our children are not meant to live forever but not meant to die like this. A television flickers in the background with the sound off to not disturb the passing customers. <em>Five dead, more injured</em>. Overthere came home with him, another mother's son flailing against the ghosts of his demons. <em>The voices</em>, he said, <em>the departments</em>, he said, <em>kill</em>, they said, and released him to his mother when every face he saw blurred into a target. A mother somewhere collapses and thanks God. A mother somewhere collapses in search of God. Another mother in a hospital, at the morgue, in a church, prays to a silence in the shape of god. <strong>[End Page 74]</strong></p> <h2>FOR LOUD WOMEN LIKE ME</h2> <p><span>when it's a good holla</span><span>and you can see my teeth</span><span>in the back of my mouth</span><span>you'll know you've found</span><span>the best of me, rich with spirits</span><span>full on good folk</span><span>going on about something</span><span>no one will remember but</span><span>somebody told the truth</span><span>somebody's testifying</span><span>somebody's laughing</span><span>the salt to sweet</span><span>somebody found honey</span><span>in the marrow of the night</span><span>and passed the cup around <strong>[End Page 75]</strong></span></p> <h2>GRACE & KINDNESS</h2> <p><em>for the congregation of Mother Emanuel AME Church</em></p> <p><span>Because <em>god don't like ugly</em></span><span>Because <em>make a bigger table</em></span><span>Because <em>build a bigger boat</em></span><span>Because <em>all god's children</em></span><span>Because <em>come as you are</em></span><span>Because <em>mind your business</em></span><span>Because <em>do unto others</em></span><span>Because <em>they not all bad</em></span><span>Because <em>kill 'em with kindness</em></span><span>Because <em>laugh to keep from crying</em></span><span>Because <em>open-door policy</em></span><span>Because <em>open-arms</em></span><span>Because <em>what would jesus do</em></span><span>Because <em>the more the merrier</em></span><span>Because <em>the devil in the details</em></span><span>Because <em>no questions asked</em></span><span>Because <em>the devil stays busy</em></span><span>Because <em>the devil you know</em></span><span>Because <em>we knew better</em></span></p> <p><span><em>the hell we did</em> <strong>[End Page 76]</strong></span></p> <h2>TO KEEP FROM CRYING</h2> <p><span>we know the many ways</span><span>we risk our lives</span></p> <p><span>breathing, sleeping, walking</span><span>under an open sky</span></p> <p><span>how brazen our persistent existence</span><span>how bold the base in our hearts</span></p> <p><span>danger blooms big as our joy</span><span>wide as our smiles</span></p> <p><span>and we keep on keepin' on</span><span>laughing all the way <strong>[End Page 77]</strong></span></p> Amanda Johnston <p><strong>AMANDA JOHNSTON</strong> is a writer, visual artist, and the 2024 Texas Poet Laureate. She earned an MFA in Creative Writing from the University of Southern Maine. She is the author of two chapbooks, <em>GUAP</em> and <em>Lock & Key</em>, and the full-length collection <em>Another Way to Say Enter</em>. Her work has appeared in numerous online and print publications, among them, <em>Poetry Magazine</em>, the Academy of American Poets Poem-a-Day series, The Moth Radio Hour, and the anthologies, <em>Furious Flower: Seeding the Future of African American Poetry</em> and <em>Women of Resistance: Poems for a New Feminism</em>. She has received fellowships, grants, and awards from Cave Canem, Hedgebrook, Tasajillo, the Kentucky Foundation for Women, The Watermill Center, American Short Fiction, and the Austin International Poetry Festival. 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The Soldier's Mother, and: For Loud Women Like Me, and: Grace & Kindness, and: To Keep From Crying
In lieu of an abstract, here is a brief excerpt of the content:
The Soldier's Mother, and: For Loud Women Like Me, and: Grace & Kindness, and: To Keep From Crying Amanda Johnston (bio) THE SOLDIER'S MOTHER Fort Knox, 2001
In the PX, she tells me her son is joining the Army, and we share the face of birthing loss, the knowing that our children are not meant to live forever but not meant to die like this. A television flickers in the background with the sound off to not disturb the passing customers. Five dead, more injured . Overthere came home with him, another mother's son flailing against the ghosts of his demons. The voices , he said, the departments , he said, kill , they said, and released him to his mother when every face he saw blurred into a target. A mother somewhere collapses and thanks God. A mother somewhere collapses in search of God. Another mother in a hospital, at the morgue, in a church, prays to a silence in the shape of god. [End Page 74]
FOR LOUD WOMEN LIKE ME when it's a good holla and you can see my teeth in the back of my mouth you'll know you've found the best of me, rich with spirits full on good folk going on about something no one will remember but somebody told the truth somebody's testifying somebody's laughing the salt to sweet somebody found honey in the marrow of the night and passed the cup around [End Page 75]
GRACE & KINDNESS for the congregation of Mother Emanuel AME Church
Because god don't like ugly Because make a bigger table Because build a bigger boat Because all god's children Because come as you are Because mind your business Because do unto others Because they not all bad Because kill 'em with kindness Because laugh to keep from crying Because open-door policy Because open-arms Because what would jesus do Because the more the merrier Because the devil in the details Because no questions asked Because the devil stays busy Because the devil you know Because we knew better
the hell we did [End Page 76]
TO KEEP FROM CRYING we know the many ways we risk our lives
breathing, sleeping, walking under an open sky
how brazen our persistent existence how bold the base in our hearts
danger blooms big as our joy wide as our smiles
and we keep on keepin' on laughing all the way [End Page 77]
Amanda Johnston
AMANDA JOHNSTON is a writer, visual artist, and the 2024 Texas Poet Laureate. She earned an MFA in Creative Writing from the University of Southern Maine. She is the author of two chapbooks, GUAP and Lock & Key , and the full-length collection Another Way to Say Enter . Her work has appeared in numerous online and print publications, among them, Poetry Magazine , the Academy of American Poets Poem-a-Day series, The Moth Radio Hour, and the anthologies, Furious Flower: Seeding the Future of African American Poetry and Women of Resistance: Poems for a New Feminism . She has received fellowships, grants, and awards from Cave Canem, Hedgebrook, Tasajillo, the Kentucky Foundation for Women, The Watermill Center, American Short Fiction, and the Austin International Poetry Festival. She is a former board president of Cave Canem Foundation, a member of the Affrilachian Poets, and founder/executive director of Torch Literary Arts.
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