威廉-莎士比亚《吕克莱斯的强暴》中的乌托邦肉体和运动

Anna Louri
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摘要

威廉-莎士比亚在他的小型史诗《吕克蕾斯的强暴》中,重建了早期罗马神话中关于执政官职位的创造,并在这个关于性侵犯的故事中加入了他自己的曲折。吕克蕾斯被塑造成一位女性,她调动自己的悲伤和羞耻,最终推翻了自己在国家中的不利地位。她在叙事中的身体动作以及长时间的哀叹为她提供了反抗强奸犯的勇气,并将她的身体转化为一个乌托邦状态,充满希望和坚定,通过她的血液传遍整个城市,确保了更美好的未来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Utopian corporeality and movement in William Shakespeare's The Rape of Lucrece
In his minor epic The Rape of Lucrece, William Shakespeare reconstructs the early Roman myth about the creation of the consulship and adds his own twist to this story of sexual violation. Lucrece is presented as a woman who mobilises her grief and shame and ends up overturning her disadvantageous position in the State. Her bodily movement in the narrative as well as her extended utterances of lamentation provide her with the courage to go against her rapist and transfigure her body into a utopian state, brimming with hope and steadfastness, which is spread throughout the city through her blood and ensures a better future.
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