预演:音乐专业一年级学生在进入本科音乐课程时的经历、理解、期望和愿望

IF 1.3 3区 教育学 Q2 EDUCATION & EDUCATIONAL RESEARCH
Diana Blom, Judith Brown, Brendan Smyly
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引用次数: 0

摘要

对于专业音乐家来说,音乐的各个方面都在音乐创作中发挥着综合作用。然而,对于音乐专业的一年级学生来说,他们在开始学习时通常会将自己定位为表演者,因此有些学生可能会质疑学习这些其他音乐领域的价值。本研究调查了 80 名音乐专业一年级本科生对他们即将开始的音乐学习以及他们作为音乐家的身份等问题的回答。这些学生分别就读于澳大利亚郊区和地区的两所大学。问题是在音乐学士课程开课前的第一周向学生提出的。通过这些问题,研究试图了解新生对本科音乐课程的经验、理解、期望和愿望,以及他们在课程开始时对音乐家身份的认同。不出所料,研究结果注意到了音乐表演方面的经验,以及大学所在地对音乐理论知识水平较低的可能影响。然而,通过了解学生对音乐技术、音乐学和澳大利亚原住民音乐的兴趣,可以发现他们的预想意见有助于为 21 世纪音乐家的教育设计真实的课程。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Presage: First year music students’ experiences, understandings, expectations and aspirations on entering an undergraduate music program
For professional musicians, all aspects of music play an integrated role in music-making. However, for first year music students, who usually begin their studies identifying as performers, some may question the value of learning these other areas of music. This study investigates the responses of 80 first year undergraduate music students to questions about aspects of the music study they were about to begin, and their identity as a musician. The students were enrolled in two universities located in suburban and regional Australia. Questions were given to students in their first week of the Bachelor of Music course before classes began. In doing so, the study sought to capture what experiences, understandings, expectations and aspirations incoming students bring to, and have for, an undergraduate music course, and how they identify as musicians as they begin the course. As expected, findings noted experience with music performance and the possible influence of the location of the universities in relation to a low level of music theory knowledge. Yet understanding student interest in music technology, musicology and the music of Australian First Nations people reveals presage opinions which can help design authentic curriculum for the education of the 21st century musician.
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来源期刊
CiteScore
3.20
自引率
11.10%
发文量
58
期刊介绍: The International Journal of Music Education (IJME) is a peer-reviewed journal published by the International Society for Music Education (ISME) four times a year. Manuscripts published are scholarly works, representing empirical research in a variety of modalities. They enhance knowledge regarding the teaching and learning of music with a special interest toward an international constituency. Manuscripts report results of quantitative or qualitative research studies, summarize bodies or research, present theories, models, or philosophical positions, etc. Papers show relevance to advancing the practice of music teaching and learning at all age levels with issues of direct concern to the classroom or studio, in school and out, private and group instruction. All manuscripts should contain evidence of a scholarly approach and be situated within the current literature. Implications for learning and teaching of music should be clearly stated, relevant, contemporary, and of interest to an international readership.
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