最后最好的鬼男孩

IF 0.1 4区 文学 0 LITERARY REVIEWS
Jami Nakamura Lin
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Not only because our school had, under the auspices of the church, always taken a hard line against any sort of spectral communion but also because no one had ever heard of such a quantity before. The swankiest Halloween parties usually only wanted two or three ghosts for atmosphere. Even the best downtown haunted hotels only shelled out for a half-dozen or so.</p> <p>Yes, the headmaster said, pleased at our reaction. The company had to go through quite a lot of effort for us, gathering boys from all over the plane. But, he said, his eyes roaming the pews, we thought the expense worth it. To protect you girls.</p> <p>The ghost boys, he explained, would provide companionship for us. They would be our friends, our study-mates. Perhaps they would—though the company could not guarantee this—develop a stronger connection. These ghost boys were perfect gentlemen. They were not like the hoodlums from the boys' school, with whom we could no longer share lunch or dances or after-school activities. We would not end up like those first three girls.</p> <p>Something the administration was offering to us on a silver platter—it had to be a trick.</p> <p>And yet even tricks glint in the sun. A trick flame can, in a pinch, warm you at night.</p> <p>We peppered the headmaster. Could the ghost boys stay in our homes, or was that a sin? Could they stay in our beds, or was that a sin? Could we sit next to them, side by side, with a pillow in between? Without a pillow? <strong>[End Page 407]</strong></p> <p>The headmaster pressed his sweaty hands against his khakis as he stumbled through the answers. He seemed to be suppressing a feeling at the back of his mind. His scheme, we would learn, had received pushback from the board. Three girls is a crisis, the headmaster had said. It's nigh on the End Times, he said—all anyone had to do was read the news or look out the window. Different rules for different eras. In the end, he'd had to shout Augustine at them: that God <em>would never permit anything evil among His works, if He were not so omnipotent and good that He can bring good even out of evil!</em></p> <p>That night the headmaster read through the Book of Revelation again. He imagined the Four Horsemen coming down Main Street, passing by the train station and the boba shop. His school, at least, would be ready: his girls as pure and white as the driven snow.</p> <p>That night, at our own homes, we couldn't sleep, imagining the ghost boys. 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引用次数: 0

摘要

以下是内容的简要摘录,以代替摘要: 最后的极品鬼男孩》 Jami Nakamura Lin(简历) 1 我们运气不好,在末日开始的时候成年。我们的高三恰逢暴风雨和瘟疫的季节。尽管我们中有些幸存的同龄人后来靠写诸如 "乱搞变成发现的那一年 "之类的花言巧语的专栏文章谋生,但那一年我们关心的只是那些幽灵男孩。深秋时节,我们的女校举行了一次特别集会,讨论班上第三个怀孕的女生。她一直在我们中间,然后她走了:被带离了我们的学校,带离了她的家,就好像她和另外两个女孩一样,从未存在过。校长用纸巾擦了擦额头说,看着你们这些满怀爱意的女孩,我真是心如刀绞。他是一个胆小的人,有着乳白色的头发和乳白色的皮肤,当他站在我们的座位前时,他的手总是在颤抖。[他停住了,好像他那张天真无邪的嘴连这个词都说不出来。无论如何,他说,我已经采取了一个特别的步骤。我已经下令将一百名鬼童送到我们学校。那边的船明天就到。我们目瞪口呆。这不仅是因为我们学校在教会的支持下,一直对任何形式的幽灵圣餐采取强硬立场,还因为从来没有人听说过这样的数量。最豪华的万圣节派对通常只需要两三个鬼来营造气氛。即使是市中心最好的闹鬼酒店,也只需要半打左右的鬼魂。是的,校长说,他对我们的反应很满意。为了我们,公司费了不少心思,从飞机上召集了很多男孩。但是,他说,他的目光在座位上巡视着,我们认为这些花费是值得的。为了保护你们这些女孩。他解释说,这些幽灵男孩会陪伴我们。他们会成为我们的朋友,我们的学习伙伴。也许他们会--虽然公司不能保证--建立更紧密的联系。这些幽灵男孩是完美的绅士。他们不像男校的流氓,我们不能再和他们共进午餐、共舞或参加课余活动。我们的下场也不会像前三个女生一样。管理部门用银盘给我们提供的东西--一定是个诡计。然而,即使是诡计也会在阳光下熠熠生辉。在紧要关头,诡计的火焰可以在夜晚温暖你。我们向校长发问。幽灵男孩能住在我们家里吗,这是不是罪过?他们能住在我们的床上吗,还是有罪?我们能并排坐在他们旁边吗? 中间放个枕头?没有枕头呢?[第 407 页末] 校长一边用满是汗水的手按着卡其裤,一边磕磕绊绊地回答问题。他似乎在压抑着心中的一种感觉。我们将了解到,他的计划遭到了董事会的反对。校长说,三个女孩就是一场危机。他说,现在已经快到末世了,大家只要看看新闻或看看窗外就知道了。不同的时代有不同的规则。最后,他不得不对他们喊出奥古斯丁的话:如果上帝不是如此全能和善良,甚至能从邪恶中带来美好,那么他绝不会允许他的作品中出现任何邪恶的东西!那天晚上,校长又通读了一遍《启示录》。他想象着 "四骑士 "从大街上走来,经过火车站和荞麦面店。至少,他的学校已经准备就绪:他的女孩们像雪一样纯洁洁白。那天晚上,在自己家里,我们无法入睡,想象着那些幽灵男孩。我们还没问校长真正的问题他们会爱上...
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Last Best Ghost Boy
In lieu of an abstract, here is a brief excerpt of the content:

  • The Last Best Ghost Boy
  • Jami Nakamura Lin (bio)

1

We had the bad luck to come of age at the beginning of the end. Our senior year coincided with the season of tempests and pestilence. And although some of our surviving peers later made their livelihoods writing glib op-eds with names like "The Year that Fuck Around Turned into Find Out," all we were concerned with that year was the ghost boys.

In late autumn, our girls' school held a special assembly to discuss the third girl in our class to get pregnant. She'd been among us, and then she was gone: whisked out of our school, out of her home, as if she—like the other two—had never existed.

It just kills me to look at you girls, with your hearts full of love, our headmaster said, dabbing at his forehead with a paper towel. He was a timid man, with milky white hair and milky white skin, and his hands always trembled when he stood before our pews. [End Page 406]

And then to have to look at those boys, the Thomases and Zacchaeuses of the world, with their hearts full of—of—

He stopped, as if his innocent mouth were unable to even form the word.

In any case, he said, I've taken a special step. I've ordered one hundred ghost boys to be delivered to our school. The boat from the other side will arrive tomorrow.

We gaped. Not only because our school had, under the auspices of the church, always taken a hard line against any sort of spectral communion but also because no one had ever heard of such a quantity before. The swankiest Halloween parties usually only wanted two or three ghosts for atmosphere. Even the best downtown haunted hotels only shelled out for a half-dozen or so.

Yes, the headmaster said, pleased at our reaction. The company had to go through quite a lot of effort for us, gathering boys from all over the plane. But, he said, his eyes roaming the pews, we thought the expense worth it. To protect you girls.

The ghost boys, he explained, would provide companionship for us. They would be our friends, our study-mates. Perhaps they would—though the company could not guarantee this—develop a stronger connection. These ghost boys were perfect gentlemen. They were not like the hoodlums from the boys' school, with whom we could no longer share lunch or dances or after-school activities. We would not end up like those first three girls.

Something the administration was offering to us on a silver platter—it had to be a trick.

And yet even tricks glint in the sun. A trick flame can, in a pinch, warm you at night.

We peppered the headmaster. Could the ghost boys stay in our homes, or was that a sin? Could they stay in our beds, or was that a sin? Could we sit next to them, side by side, with a pillow in between? Without a pillow? [End Page 407]

The headmaster pressed his sweaty hands against his khakis as he stumbled through the answers. He seemed to be suppressing a feeling at the back of his mind. His scheme, we would learn, had received pushback from the board. Three girls is a crisis, the headmaster had said. It's nigh on the End Times, he said—all anyone had to do was read the news or look out the window. Different rules for different eras. In the end, he'd had to shout Augustine at them: that God would never permit anything evil among His works, if He were not so omnipotent and good that He can bring good even out of evil!

That night the headmaster read through the Book of Revelation again. He imagined the Four Horsemen coming down Main Street, passing by the train station and the boba shop. His school, at least, would be ready: his girls as pure and white as the driven snow.

That night, at our own homes, we couldn't sleep, imagining the ghost boys. We hadn't asked the headmaster our real questions: Could they love...

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来源期刊
SEWANEE REVIEW
SEWANEE REVIEW LITERARY REVIEWS-
CiteScore
0.10
自引率
0.00%
发文量
44
期刊介绍: Having never missed an issue in 115 years, the Sewanee Review is the oldest continuously published literary quarterly in the country. Begun in 1892 at the University of the South, it has stood as guardian and steward for the enduring voices of American, British, and Irish literature. Published quarterly, the Review is unique in the field of letters for its rich tradition of literary excellence in general nonfiction, poetry, and fiction, and for its dedication to unvarnished no-nonsense literary criticism. Each volume is a mix of short reviews, omnibus reviews, memoirs, essays in reminiscence and criticism, poetry, and fiction.
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