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Our investigation includes a review of historical limited portrayal of Brazilianness on domestic television, an analysis of SVOD content from 2016 to 2023, and a case study of two Brazilian original series: Cangaço Novo and How to be a Carioca. These series illuminate different aspects of Brazilian reality. Cangaço Novo depicts a less fictionalized ‘Brasil’ prevalent in mainstream media, featuring themes of drought, the sertão, and local resistance. In contrast, How to be a Carioca presents a more stereotyped ‘Brazil’ tailored for international audiences, focusing on preconceived notions about Rio de Janeiro. Our findings reveal a paradox in the role of SVODs: they perpetuate national stereotypes even as they provide global access to Brazilian content. These platforms shape and export perceptions of Brazil, influencing how the country is viewed both domestically and globally. We explore the tensions between local content creation and global distribution, emphasizing the complexities of globalization, diversity, and cultural identity within the markets of the Majority World.","PeriodicalId":47242,"journal":{"name":"Convergence-The International Journal of Research Into New Media Technologies","volume":null,"pages":null},"PeriodicalIF":2.4000,"publicationDate":"2024-08-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"What Brazilianness looks like: SVODs’ impact on cultural representation\",\"authors\":\"Melina Meimaridis, Daniela Mazur, Daniel Rios\",\"doi\":\"10.1177/13548565241270674\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article investigates the complex interplay between subscription video on-demand services (SVODs) and the representation of Brazilianness in global media. 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引用次数: 0
摘要
本文探讨了订阅视频点播服务(SVODs)与全球媒体中的巴西形象之间复杂的相互作用。我们的研究以巴西的视频流媒体景观为重点,深入探讨了表现民族文化多样性的挑战,特别是在外国平台委托制作的内容中。这些挑战包括技术上的障碍,如视听制作基础设施集中在里约-圣保罗轴心地带,以及文本上的障碍,如对巴西叙事的刻板印象和异国情调的延续。我们的调查包括回顾历史上国内电视对巴西的有限描述,分析 2016 年至 2023 年的 SVOD 内容,以及对两部巴西原创剧集的案例研究:Cangaço Novo 和 How to be a Carioca。这两部剧集展现了巴西现实生活的不同侧面。Cangaço Novo》描绘的是主流媒体中不那么虚构的 "巴西",以干旱、塞唐和地方反抗为主题。与此相反,《如何成为一名卡里奥卡人》则为国际受众量身打造了一个更加刻板的 "巴西",重点是关于里约热内卢的先入为主的观念。我们的研究结果揭示了 SVOD 所扮演角色的悖论:它们在向全球提供巴西内容的同时,也延续了对本国的刻板印象。这些平台塑造并输出了人们对巴西的看法,影响了国内和全球对巴西的看法。我们探讨了本地内容创作与全球发行之间的紧张关系,强调了多数世界市场中全球化、多样性和文化认同的复杂性。
What Brazilianness looks like: SVODs’ impact on cultural representation
This article investigates the complex interplay between subscription video on-demand services (SVODs) and the representation of Brazilianness in global media. Focusing on Brazil’s video streaming landscape, our study delves into the challenges of representing the diverse tapestry of national culture, particularly in content commissioned by foreign platforms. These challenges include technical barriers, such as the concentration of audiovisual production infrastructure in the Rio-São Paulo axis, and textual hurdles, like the perpetuation of stereotypes and exoticization of Brazilian narratives. Our investigation includes a review of historical limited portrayal of Brazilianness on domestic television, an analysis of SVOD content from 2016 to 2023, and a case study of two Brazilian original series: Cangaço Novo and How to be a Carioca. These series illuminate different aspects of Brazilian reality. Cangaço Novo depicts a less fictionalized ‘Brasil’ prevalent in mainstream media, featuring themes of drought, the sertão, and local resistance. In contrast, How to be a Carioca presents a more stereotyped ‘Brazil’ tailored for international audiences, focusing on preconceived notions about Rio de Janeiro. Our findings reveal a paradox in the role of SVODs: they perpetuate national stereotypes even as they provide global access to Brazilian content. These platforms shape and export perceptions of Brazil, influencing how the country is viewed both domestically and globally. We explore the tensions between local content creation and global distribution, emphasizing the complexities of globalization, diversity, and cultural identity within the markets of the Majority World.