非物质文化遗产 "木偶戏 "的新媒体传播渠道研究

Wenbo Ge
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摘要

木偶戏作为一种具有深厚文化内涵的非物质文化遗产,在 20 世纪经历了台湾霹雳布袋戏团的电影和媒体创新,并尝试突破传播壁垒。然而,它的小众传播地位并没有得到根本改变,仍然局限于在特定的圈子里流传。这反映出非物质文化遗产在新媒体时代面临的挑战:仅仅依靠影视化改造不足以焕发新的活力,需要更深层次的战略探索和实践创新。在新媒体时代背景下,无线通信技术的飞速发展使社会进入快节奏的生活方式,传统非物质文化遗产的传播方式遇到了前所未有的瓶颈。针对这一现状,本文旨在通过分析以木偶戏为代表的非物质文化遗产,探讨如何有效利用新媒体传播范围广、即时互动性强的特点,为非物质文化遗产的传播探索新的方向。克服传播障碍,可以让这一历史积淀下来的宝贵文化财富再次焕发光彩,吸引更多现代受众的关注,促进其在当代社会的传承和发扬。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Research on the new media communication channels of the intangible cultural heritage "Puppet Show"
Puppetry, an intangible cultural heritage with profound cultural significance, has experienced film and media innovations in the 20th century by Taiwan’s Perak Puppetry Company and attempted to break through the barriers of communication. However, it has not fundamentally changed its niche communication status, still being limited to circulation within specific circles. This reflects the challenges that intangible cultural heritage faces in the new media era: relying solely on film and TV transformation is not enough to rejuvenate, and deeper strategic exploration and practical innovation are required. In the context of the new media era, the rapid development of the wireless communication technology has led society into a fast-paced lifestyle, and the communication methods of traditional intangible cultural heritage have encountered unprecedented bottlenecks. In response to this situation, this article aims to explore new directions for the dissemination of intangible cultural heritage by analyzing the intangible cultural heritage represented by puppetry and exploring how to effectively utilize the broad reach and instant interaction characteristics of new media. Overcoming communication barriers can make this precious cultural wealth accumulated in history shine once more, attract the attention of more modern audiences, and promote its inheritance and promotion in contemporary society.
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