你的所有图像都属于我们":记忆体的遗产化、存档和历史化

IF 1.2 2区 文学 Q3 COMMUNICATION
Valérie Schafer, Fred Pailler
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引用次数: 0

摘要

从 20 世纪 90 年代后半期的 "跳舞的宝贝"、"你所有的基地都属于我们 "和 "Hampster 舞",到美国总统就职典礼上伯尼的手套,再到 "灾难女孩 "和 "分心男友 "等,过去 20 年来,memes 已成为我们(视觉)数字文化的重要组成部分。本文通过研究memes与数字历史和轨迹的联系,以及它们在流行文化、视觉文化和数字文化中的作用,说明了为什么memes应被视为我们与生俱来的数字遗产的重要组成部分。然后,作者描绘了为这一遗产化做出贡献的利益相关者的多样性,以及记忆体保存和归档所面临的诸多挑战,包括策展、代理、意义和价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘All your image are belong to us’: heritagization, archiving and historicization of memes
From the ‘Dancing baby’, ‘All your base are belong to us’ and the ‘Hampster dance’ in the second half of the 1990s to Bernie’s mittens at the US presidential inauguration, through to ‘Disaster girl’ and ‘Distracted boyfriend’, among others, memes have become an important part of our (visual) digital culture over the last 20 years. This article demonstrates why memes should be considered a critical part of our born-digital heritage, by examining their connections to digital histories and trajectories, as well as their role in pop, visual and digital culture. The authors then map the diversity of stakeholders who contribute to this heritagization and the many challenges involved in meme preservation and archiving, including curation, agency, meaning and value.
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来源期刊
Visual Communication
Visual Communication COMMUNICATION-
CiteScore
3.40
自引率
13.30%
发文量
45
期刊介绍: Visual Communication provides an international forum for the growing body of work in numerous interrelated disciplines. Its broad coverage includes: still and moving images; graphic design and typography; visual phenomena such as fashion, professional vision, posture and interaction; the built and landscaped environment; the role of the visual in relation to language, music, sound and action.
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