声音投资世纪中期的音乐与金融

IF 0.4 4区 艺术学 0 ART
LEONARDO Pub Date : 2024-07-31 DOI:10.1162/leon_a_02567
Michael Maizels
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引用次数: 0

摘要

金融史与音乐史之间的相互联系远比想象中要多。从古代的宇宙数学和谐思想到超当代的网络数据驱动方法,声音的流动和资本的循环早已如影随形。事实上,自1977年雅克-阿塔利(Jacques Attali)的《噪音》(Noise)一书出版以来,音乐学家和声音学者一直在探究音乐作为数学知识的一种表达方式,是如何与一系列知识、社会和经济变革交织在一起的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sound Investments: Music and Finance at Mid-Century
The histories of finance and music are more interconnected than they might at first appear. From ancient ideas on the mathematical harmony of the universe to ultra-contemporary approaches driven by networked data, the flow of sounds and the circulation of capital have long traced one another’s shadow. Indeed, since the publication of Jacques Attali’s Noise in 1977, musicologists and sound scholars have been probing how music as an expression of mathematical knowledge has intersected with a range of intellectual, social, and economic shifts.
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来源期刊
LEONARDO
LEONARDO ART-
CiteScore
0.90
自引率
0.00%
发文量
139
期刊介绍: Leonardo was founded in 1968 in Paris by kinetic artist and astronautical pioneer Frank Malina. Malina saw the need for a journal that would serve as an international channel of communication between artists, with emphasis on the writings of artists who use science and developing technologies in their work. Today, Leonardo is the leading journal for readers interested in the application of contemporary science and technology to the arts.
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