贩卖 | 传播 | 翻译：探索科学艺术装置中作为知识建构模式的体现

IF 0.4 4区艺术学 0 ART

LEONARDO Pub Date : 2024-07-31 DOI:10.1162/leon_a_02563

Andrea Rasell, Heather Bray

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引用次数: 0

摘要

科学艺术实践往往被定格为科学交流，这种方式忽视了艺术在话语之外提供参与机会的能力。作者对科学媒体艺术装置的观众访谈进行了专题分析，这些装置描绘了复杂、无形、不可见和短暂的科学现象，特别关注医学纳米技术。分析表明，参观者认识到感官体验超越了传统的科学传播，而科学家的体验则扩大了他们对参与的定义。作者认为，科学媒体艺术实践是意义创造和非传播性参与的场所，为与新兴技术的接触创造了反思和体现的环境。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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Trafficking | Transmission | Translation: Exploring Embodiment as a Mode of Knowledge Construction in Science Art Installations

Science art practices are often framed as science communication in a manner that overlooks the capacity of the arts to provide engagement opportunities beyond discourse. The authors perform a thematic analysis of audience interviews from scientific media art installations that depict complex, intangible, invisible, and ephemeral scientific phenomena, specifically focusing on medical nanotechnology. The analysis reveals that visitors recognize sensorial experiences beyond traditional science communication, while scientists’ experiences expanded their definition of engagement. The authors argue that scientific media art practices act as sites of meaning-making and non-discursive engagement that create reflective and embodied contexts for encounters with emerging technologies.

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来源期刊

LEONARDO ART-

CiteScore

0.90

自引率

0.00%

发文量

139

期刊介绍： Leonardo was founded in 1968 in Paris by kinetic artist and astronautical pioneer Frank Malina. Malina saw the need for a journal that would serve as an international channel of communication between artists, with emphasis on the writings of artists who use science and developing technologies in their work. Today, Leonardo is the leading journal for readers interested in the application of contemporary science and technology to the arts.