创伤心理地形图(根据沃洛德梅尔-拉菲延科的小说《雨后泥土的气息》改编)

Q3 Arts and Humanities
Jarosław Poliszczuk
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引用次数: 0

摘要

本文以沃洛迪米尔-拉菲埃延科的小说《雨后泥土的芬芳》为基础,对战争创伤经历进行了研究。从创伤研究的角度来审视这篇文本是合乎逻辑的,而创伤研究在俄乌战争及其后果的背景下已变得非常实际。作者以一种非常新颖的方式表现了克服集体和个人创伤的前景。他详细描述了人们因被迫重新安置而产生的痛苦经历,最重要的是--因亲近的人死亡而产生的负罪感。拉菲延科的小说反映了一个精神失常者的想象世界。通过这种方式,他提出了一种新的叙述方式,即想象(幻想、幻觉和人物的梦境)和难以忍受的现实画面自然地交织在一起。石化......》代表了作者对文化创伤的个人看法,文化创伤导致了人类身份的彻底改变。这种新的身份是一种创造性的力量,同时,它也给人留下了完全危险、全国动员和团结一致的印象。作者提出了神圣牺牲的问题。我们指的是为放弃艰难的过去而必须付出的代价。所有这一切都导致了小说人物心理上的持续失调。因此,拉菲延科对创伤进行了心理拓扑,指出了其在特定地理文化空间中的重要标志和动机。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Ментальна топографія травми (за романом володимира рафєєнка петрикор – запах землі після дощу)
The article is research into the traumatic experience of war, based on the Volodymyr Rafieienko’s novel Petrichor – Smell of the Earth after the Rain. It’s logical to examine this text from the position of trauma studies, which have become very actual in the context of the Russian-Ukrainian war and its consequences. The writer represented the prospect of overcoming collective and individual trauma in a very original way. He describes in details the painful experiences caused by the forced resettlement of people, and most of all – the feeling of guilt due to the death of close ones. Rafieienko’s novel reflects the world of imagination of a person with a disturbed psyche. In such a way, he suggests a new kind of narration where imaginarium (the world of fantasy, visions and the dreams of the characters) and the pictures of an unbearable reality, which must be recalled to understand the depth of the pain in order to continue living, are crossed in a natural way. Petrichor… represents the author’s individual vision of the cultural trauma, which causes a radical change in human identity. This new identity is the creative force and at the same time, it impresses on one the state of total danger, nationwide mobilization and solidarity. The writer raises the issue of sacred sacrifice. We mean the price that must be paid for the renunciation of the difficult past. All this leads to a persistent psychological disorder within the novel’s characters. Thus, Rafieienko carries out a mental topography of trauma, indicating its important markers and motives within a specific geocultural space.
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来源期刊
Slavia Orientalis
Slavia Orientalis Arts and Humanities-Literature and Literary Theory
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