虚拟的礼物，未来的陌生人：利奥-贝尔萨尼和胡安-巴勃罗-埃切维里作品中的重新分类艺术

IF 0.2 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY

POSTMODERN CULTURE Pub Date : 2024-07-23 DOI:10.1353/pmc.2023.a931360

Tom Roach

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引用次数: 0

摘要

摘要:本文认为，贝尔萨尼试图阐明一种非笛卡尔式的知识生产形式，这促使他对认识论和本体论进行新的推测。具体而言，贝尔萨尼晚期的重新分类理论和实践，即与思想家和概念的递归接触，揭示了思想的虚拟潜力，为他提供了构想认知的时间统一性和存在的内在主义概念的机会。在探讨了贝尔萨尼的重新分类理论和他的文本重新分类实践之后，我转向多媒体艺术家胡安-巴勃罗-埃切维里的作品，为重新分类作为美学实践提供了一个对话性的范例。

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Virtual Presents, Future Strangers: The Art of Recategorization in the Work of Leo Bersani and Juan Pablo Echeverri

Abstract:

This essay argues that Bersani's attempts to articulate a non-Cartesian form of knowledge production spur him to speculate anew about epistemology and ontology. Specifically, Bersani's late theory and practice of recategorization, a recursive engagement with thinkers and concepts that reveals thought's virtual potential, affords him the opportunity to conceive of a cognitive temporal unity and an immanentist conception of being. After exploring Bersani's theory of recategorization and his textual recategorizing practice, I turn to the work of multimedia artist Juan Pablo Echeverri to offer a dialogic example of recategorization as aesthetic practice.

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来源期刊

POSTMODERN CULTURE HUMANITIES, MULTIDISCIPLINARY-

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： Founded in 1990 as a groundbreaking experiment in scholarly publishing on the Internet, Postmodern Culture has become a leading electronic journal of interdisciplinary thought on contemporary culture. PMC offers a forum for commentary, criticism, and theory on subjects ranging from identity politics to the economics of information.