{"title":"\"表面与深度:芭比娃娃中作为后女权主义理想的矛盾性\"","authors":"Alicia Byrnes","doi":"10.1080/14680777.2024.2372010","DOIUrl":null,"url":null,"abstract":"Of the multiple instances of feminist ambivalence present in Barbie, perhaps the most poignant for cinema studies concerns the affirmation of both descriptive and interpretive practices. Across its...","PeriodicalId":47795,"journal":{"name":"Feminist Media Studies","volume":"11 1","pages":""},"PeriodicalIF":1.6000,"publicationDate":"2024-07-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Surface and depth: ambivalence as postfeminist ideal in Barbie”\",\"authors\":\"Alicia Byrnes\",\"doi\":\"10.1080/14680777.2024.2372010\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Of the multiple instances of feminist ambivalence present in Barbie, perhaps the most poignant for cinema studies concerns the affirmation of both descriptive and interpretive practices. Across its...\",\"PeriodicalId\":47795,\"journal\":{\"name\":\"Feminist Media Studies\",\"volume\":\"11 1\",\"pages\":\"\"},\"PeriodicalIF\":1.6000,\"publicationDate\":\"2024-07-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Feminist Media Studies\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1080/14680777.2024.2372010\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Feminist Media Studies","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/14680777.2024.2372010","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"COMMUNICATION","Score":null,"Total":0}
“Surface and depth: ambivalence as postfeminist ideal in Barbie”
Of the multiple instances of feminist ambivalence present in Barbie, perhaps the most poignant for cinema studies concerns the affirmation of both descriptive and interpretive practices. Across its...
期刊介绍:
Feminist Media Studies provides a transdisciplinary, transnational forum for researchers pursuing feminist approaches to the field of media and communication studies, with attention to the historical, philosophical, cultural, social, political, and economic dimensions and analysis of sites including print and electronic media, film and the arts, and new media technologies. Feminist Media Studies especially encourages submissions based on original, empirical inquiry of the social experiences of audiences, citizens, workers, etc. and how these are structured by political, economic and cultural circumstances. The journal invites contributions from feminist researchers working across a range of disciplines and conceptual perspectives. Feminist Media Studies offers a unique intellectual space bringing together scholars, professionals and activists from around the world to engage with feminist issues and debates in media and communication. Its editorial board and contributors reflect a commitment to the facilitation of international dialogue among researchers, through attention to local, national and global contexts for critical and empirical feminist media inquiry.