次级故事世界的可能自我:叙事反应与文化(不可)预测性

IF 0.1 3区 文学 0 LITERARY THEORY & CRITICISM
Melina Ghasseminejad, María-Ángeles Martínez
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引用次数: 0

摘要

叙事体验者经常报告的叙事反应大相径庭。文学学术界通常将读者群体的共同反应视为与暗示读者和修辞读者有关。然而,读者反应实证研究表明,有血有肉的读者和观众往往会根据个人经历表现出特异的叙事反应。故事世界可能的自我理论(马丁内斯,2014 年。故事世界可能的自我与叙事沉浸现象:测试一种新的理论建构。叙事 22(1).110-131, 2018.故事世界可能的自我》。柏林:Walter de Gruyter)提供了一个分析工具包,借鉴认知叙事学、认知语言学和社会心理学的框架,研究文化上可预测的和完全个人对叙事的反应。本研究在探讨霸权文化模式对叙事反应的影响时,讨论了这一框架的优势和不足,并引入了 "次级故事世界可能的自我 "这一概念,以解释在共享非霸权文化模式的社群中可预测的反应。这就将文化(不可)预测性作为一个分级类别,便于对其进行定性和定量探索。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Secondary storyworld possible selves: narrative response and cultural (un)predictability
Narrative experiencers frequently report broadly differing narrative responses. Literary scholarship customarily addresses those shared by communities of readers as pertaining to implied and rhetorical readers. However, empirical reader-response research shows that flesh-and-blood readers and audience members often show idiosyncratic narrative responses based on individual experience. Storyworld Possible Selves Theory (Martínez 2014. Storyworld possible selves and the phenomenon of narrative immersion: Testing a new theoretical construct. Narrative 22(1). 110–131, 2018. Storyworld possible selves. Berlin: Walter de Gruyter) provides an analytical toolkit for the study of both culturally predictable and completely individual responses to narratives, drawing on the frameworks of cognitive narratology, cognitive linguistics, and social psychology. This study discusses the affordances and shortcomings of this framework when addressing the bearing of hegemonic cultural models on narrative response and introduces the concept of “secondary storyworld possible selves” to account for responses predictable in communities sharing non-hegemonic cultural models. This renders cultural (un)predictability as a graded category and facilitates its qualitative and quantitative exploration.
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