埃及的赛璐珞衣橱

Screenworks Pub Date : 2024-07-01 DOI:10.37186/swrks/14.1/6
Haytham Mohamed
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引用次数: 0

摘要

本实践研究项目认为,埃及电影中对男同性恋者的表现不仅在历史上存在问题,而且在这些年里出现了很大的倒退。在对 20 部故事片进行批判性反思的同时,我证明了埃及电影中对男同性恋角色的描述绝大多数仅限于粗俗、残忍的刻板印象。这些刻板印象往往与精神疾病、幼年遭受性虐待、深受 "西方颓废 "影响或缺乏自制力或意志力有关。此外,纪录片还认为,审查制度在以更真实、更少刻板印象的方式描述同性恋角色方面发挥着重要作用,但并非主要作用。电影制作人的诠释和电影伎俩也对这些角色的塑造起到了至关重要的作用。在采访埃及电影专家和电影制作人的过程中,我的作品揭示了大多数电影制作人是如何与埃及观众和社会的期望同流合污的。此外,在改编电影,尤其是根据小说改编的电影中,电影制作人有时会有意将同性恋角色转变为 "异类"。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Egypt's Celluloid Closet
This practice research project argues that the representation of gay men in Egyptian cinema not only has been historically problematic but rather regressed considerably over the years. While critically reflecting on twenty feature films as case studies, I demonstrate that depictions of gay characters in Egyptian cinema have overwhelmingly been limited to crude and cruel stereotypes. These stereotypes are often associated with mental illness, being sexually abused at a young age, being influenced heavily by ‘Western decadence’ or a result of lack of self-control or willpower. Furthermore, the documentary argues that censorship plays an important but not a major part in depicting homosexual characters in a more realistic and less stereotypical manner. The filmmakers’ interpretations and cinematic ploys also play a crucial part in the way these characters are portrayed. In interviewing experts, as well as filmmakers of Egyptian cinema, my work reveals how the majority of filmmakers remain complicit with the expectations of Egyptian audiences and society. In addition, in adaptations, particularly films based on novels, filmmakers sometimes intentionally transform homosexual characters by portraying them as ‘deviant’.
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