{"title":"邮上邮,邮中邮》:斯特凡-马拉美的《Les Loisirs de la Poste》和詹姆斯-麦克尼尔-惠斯勒的《泰晤士河组》蚀刻版画中书信和图像空间的折叠","authors":"Kristina Åström","doi":"10.1080/14787318.2024.2356348","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":53818,"journal":{"name":"Dix-Neuf","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"‘[P]li sur pli, pli selon pli’: The Folding of Epistolary and Pictorial Space in Stéphane Mallarmé’s Les Loisirs de la Poste and James McNeill Whistler’s Thames Set Etchings\",\"authors\":\"Kristina Åström\",\"doi\":\"10.1080/14787318.2024.2356348\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":53818,\"journal\":{\"name\":\"Dix-Neuf\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2024-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Dix-Neuf\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14787318.2024.2356348\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Dix-Neuf","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14787318.2024.2356348","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
‘[P]li sur pli, pli selon pli’: The Folding of Epistolary and Pictorial Space in Stéphane Mallarmé’s Les Loisirs de la Poste and James McNeill Whistler’s Thames Set Etchings