χὠς ἴδον, ὣς ἐμάνην。希腊诗歌中的空间、欲望和女性凝视

IF 0.2 3区 历史学 0 CLASSICS
Evina Sistakou
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引用次数: 0

摘要

本文研究了三位希腊化时期诗人(即罗德斯的阿波罗尼乌斯、提奥克里托斯和希罗达斯)在其作品中探索女性视角时在空间、体裁和性别交叉点上的女性凝视。女性视角涵盖了从色情幻想到性满足的所有欲望阶段,既取决于审美因素,也取决于性别角色的社会文化背景。它反映了男女之间的权力动态,也成为凝视女性颠覆男性权威的一种手段。在希腊化诗歌中,女性通过控制凝视获得解放的程度因其所处空间的不同而不同。我认为,按照史诗的惯例,女性最初被禁锢在 "奥伊科斯"(Oikos)中,但在自然和城市空间中,即在田园诗和哑剧等新体裁的象征性空间中,女性逐渐获得了解放;性别动态的这种转变是通过在不同的诗歌体裁及其各自的象征性空间(即房屋、自然景观和城市)中对女性凝视的阐释来传达的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
χὠς ἴδον, ὣς ἐμάνην. Space, Desire and the Female Gaze in Hellenistic Poetry
This paper studies the female gaze at the intersection of space, genre and gender in three Hellenistic poets who have explored the female viewpoint in their works, namely Apollonius of Rhodes, Theocritus and Herodas. The female gaze covers all the stages of desire from erotic fantasy to sexual fulfillment, and is contingent on both aesthetic factors and the sociocultural background of gender roles. It reflects the power dynamics between male and female and also becomes a means of subverting male authority by the gazing female. In Hellenistic poetry, the various degrees of female liberation through the control of the gaze vary depending on the spaces occupied by women. I argue that women, initially confined in the oikos according to the conventions of epic poetry, are represented as being gradually liberated in natural and urban spaces, the emblematic spaces of the neoteric genres of the bucolic idyll and the mime; this shift in gender dynamics is conveyed through the illustration of the female gaze in distinct genres of poetry and their respective symbolic spaces, namely the house, the natural landscape, and the city.
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来源期刊
Trends in Classics
Trends in Classics CLASSICS-
CiteScore
0.40
自引率
50.00%
发文量
9
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