{"title":"介绍:梅尔莫斯的全球余生","authors":"Sonja Lawrenson, Matt Foley","doi":"10.3366/gothic.2024.0191","DOIUrl":null,"url":null,"abstract":"In this introduction to the special issue, the editors read Charles Maturin's Melmoth the Wanderer (1820) and its circuitous afterlives through the lens of recent, revised critical understandings of globalgothic. Driven by its striking depiction of evil, its eccentric narrative structure, and its atmospheric intensity, Melmoth the Wanderer's cultural impact reverberated across nineteenth- and twentieth-century literatures and visual media, an influence which continues to evolve to this day. Significantly, for a text preoccupied with the problematics of translation, transcription, and transliteration, Melmoth's network of global influence is fraught with anomalies and complications. From its first appearance in nineteenth-century Russia in French translation to its rediscovery in twentieth-century Latin America, the global afterlives of Melmoth expose the vagaries and idiosyncrasies of transnational textuality, both in Maturin's era and our own. The introduction ends with an overview of the essays collected in this volume – the first scholarly study dedicated to tracing the many afterlives of Maturin's Melmoth.","PeriodicalId":42443,"journal":{"name":"Gothic Studies","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2024-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Introduction: Melmoth's Global Afterlives\",\"authors\":\"Sonja Lawrenson, Matt Foley\",\"doi\":\"10.3366/gothic.2024.0191\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this introduction to the special issue, the editors read Charles Maturin's Melmoth the Wanderer (1820) and its circuitous afterlives through the lens of recent, revised critical understandings of globalgothic. Driven by its striking depiction of evil, its eccentric narrative structure, and its atmospheric intensity, Melmoth the Wanderer's cultural impact reverberated across nineteenth- and twentieth-century literatures and visual media, an influence which continues to evolve to this day. Significantly, for a text preoccupied with the problematics of translation, transcription, and transliteration, Melmoth's network of global influence is fraught with anomalies and complications. From its first appearance in nineteenth-century Russia in French translation to its rediscovery in twentieth-century Latin America, the global afterlives of Melmoth expose the vagaries and idiosyncrasies of transnational textuality, both in Maturin's era and our own. The introduction ends with an overview of the essays collected in this volume – the first scholarly study dedicated to tracing the many afterlives of Maturin's Melmoth.\",\"PeriodicalId\":42443,\"journal\":{\"name\":\"Gothic Studies\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2024-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Gothic Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/gothic.2024.0191\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"N/A\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Gothic Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/gothic.2024.0191","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"N/A","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
In this introduction to the special issue, the editors read Charles Maturin's Melmoth the Wanderer (1820) and its circuitous afterlives through the lens of recent, revised critical understandings of globalgothic. Driven by its striking depiction of evil, its eccentric narrative structure, and its atmospheric intensity, Melmoth the Wanderer's cultural impact reverberated across nineteenth- and twentieth-century literatures and visual media, an influence which continues to evolve to this day. Significantly, for a text preoccupied with the problematics of translation, transcription, and transliteration, Melmoth's network of global influence is fraught with anomalies and complications. From its first appearance in nineteenth-century Russia in French translation to its rediscovery in twentieth-century Latin America, the global afterlives of Melmoth expose the vagaries and idiosyncrasies of transnational textuality, both in Maturin's era and our own. The introduction ends with an overview of the essays collected in this volume – the first scholarly study dedicated to tracing the many afterlives of Maturin's Melmoth.
期刊介绍:
The official journal of the International Gothic Association considers the field of Gothic studies from the eighteenth century to the present day. Gothic Studies opens a forum for dialogue and cultural criticism, and provides a specialist journal for scholars working in a field which is today taught or researched in academic institutions around the globe. The journal invites contributions from scholars working within any period of the Gothic; interdisciplinary scholarship is especially welcome, as are studies of works across the range of media, beyond the written word.