从女性主义视角研究电影《灰姑娘肖像》中的身体叙事

Lanxin Guo
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摘要

本文从女性主义视角分析了电影《画像中的少女》中的身体叙事,探讨了女性角色身体表达中所隐含的性别权力结构,并讨论了它如何构建和反映女性主义理论。文章回顾了女性主义理论的发展历程,强调了身体叙事理论的重要性及其在电影研究中的应用,并选择电影《画像中的少女》作为研究对象。本研究通过文本分析和女性主义批评理论,剖析女性角色的身体叙事,揭示视觉语言和符号如何塑造身体在性别权力关系中的地位。研究发现,影片中的女性身体叙事不仅是主体性的表达,也是对社会权力结构的回应,显示了性别、权力和自我认同之间的深刻联系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Study of the Body Narrative in the Film Portrait de la Jeune Fille en Feu from a Feminist Perspective
This article analyses the body narrative in the film Portrait de la Jeune Fille en Feu from a feminist perspective, exploring the gendered power structures implicit in the female characters' bodily expressions and discussing how it constructs and reflects feminist theories. The article reviews the development of feminist theory, emphasises the importance of body narrative theory and its application in film studies, and chooses the film Portrait de la Jeune Fille en Feu as the object of study. Through textual analysis and feminist critical theory, this study dissects the body narratives of the female characters to reveal how visual language and symbols shape the body's position in gendered power relations. It is found that the female body narratives in the film are not only an expression of subjectivity, but also a response to social power structures, demonstrating the deep connection between gender, power and self-identity.
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