亚里士多德的德尔斐刀

Marjorie O’Rourke Boyle
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摘要

本文的主题是希腊古典宗教史,尤其是与政治伦理相关的祭祀仪式。亚里士多德在《政治学》(1.2 1252b)中将铜匠制作的德尔斐刀与著名的大自然之城进行了对比,本文通过铜匠制作的德尔斐刀,还原了这把刀失落的意义。该书驳斥了关于这把刀的传统猜测,认为这些猜测既不符合历史,也不符合亚里士多德关于制造某物的最终原因或目的的哲学学说。该书指出,刀的明显用途是切割,亚里士多德作为第一位解剖学家或解剖学家熟练地实践了这一用途。它记录了希腊古典祭祀用刀的目的,即把祭祀用的动物尸体分成公平的部分,供民间分配。该书指出,在德尔斐献祭时被刺伤的传奇英雄尼普托勒姆斯(Neoptolemus)是贪婪的典范,他与神庙屠夫争夺过多的肉食分配份额。亚里士多德暗指有关他和其他违反德尔斐格言 "无过 "的人的戏剧和诗歌。他的《政治学》反对贪婪的政治派别,认为它们会分裂大自然所创造的城市。他赞同将祭祀作为公民的纽带,他教导公民要有节制,这与他著名的个人节制伦理是一致的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Aristotle’s Delphic Knife
The subject of this article is the classical Greek history of religion, particularly ritual sacrifice in relation to political ethics. This article recovers the lost meaning of the Delphic knife made by coppersmiths that Aristotle’s Politics (1.2 1252b) contrasted with the city famously made by Nature. It dismisses traditional conjectures about the knife as historically inaccurate about its craft and philosophically uninformed about Aristotle’s doctrine of the final cause, or purpose, of making something. It states the obvious purpose of a knife as cutting, which Aristotle skillfully practiced as the first anatomist, or dissector. It documents the purpose of a classical Greek ritual knife to divide the carcass of a sacrificed animal into equitable portions for civic distribution. It identifies Neoptolemus, the legendary hero turned villain, who was stabbed during his sacrifice at Delphi as an exemplar of greed in quarreling with the temple butcher for an excessive share of the allotted meat. Aristotle alluded to the popular drama and poetry about his and other violations of the Delphic maxim “nothing in excess.” His Politics argued against political factions as greedy, thus divisive of the city that Nature made a whole. He approved of ritual sacrifice as a civic bond, and he taught civic moderation in conformity with his well-known ethics of personal moderation.
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