熨斗、睡衣、围裙、潘多拉手镯":意大利广告中性别歧视的社会阴影

Emilia Di Martino
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引用次数: 0

摘要

这是一篇探索性文章,涉及 2017 年 12 月出现在米兰地铁网络广告牌上的一则广告。作者将话语作为识别语言使用中蕴含的意识形态假设以及由此产生的现有社会习俗的重要场所,通过对话语的研究,作者认为性别歧视刻板印象的使用或频率并不一定标志着一个品牌与性别歧视的一致性。所采用的方法是巴赫金文体学的一种形式,即对文本进行分析,以评估语篇的称呼性和可回答性,并研究它们的异语和个体间性质,以及它们在特定社区、时间和地点中的定位。本研究以建构主义和批判性社会语言学矩阵为基础,重点关注个人使用语言的特殊方式--作为社会实践,意识形态假设由此产生。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘An iron, pyjamas, an apron, a Pandora bracelet’: The social shadow of sexism in Italian adverts
This is an exploratory article engaging with an advertisement that appeared on the billboards of Milan’s metro network in December 2017. Investigating discourse as the prominent site for identifying the ideological assumptions embedded in language use and the existing social conventions emerging from them, the author argues that the use or frequency of sexist stereotypes does not necessarily mark a brand’s alignment with sexism. The methodology adopted is a form of Bakhtinian stylistics, i.e., an analysis of texts with a view to evaluate the addressivity and answerability of utterances and investigate their heteroglossic and interindividual nature as well as their positioning within a specific community, time and place. Based on a constructionist and critical sociolinguistics matrix, this study focuses on style meant as the particular ways an individual uses language as social practice through which ideological assumptions emerge.
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