Maius opus moveo：维吉尔在《埃涅伊德》7.45 中的隐藏签名？

IF 0.7 2区历史学 0 CLASSICS

CLASSICAL PHILOLOGY Pub Date : 2024-07-01 DOI:10.1086/730447

Ábel Tamás

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引用次数: 0

摘要

在本文中，我认为维吉尔在其史诗象征性的中间部分（Aen. 7.45，对 Erato 的祈求的结尾）宣布的 maius opus moveo 应被解读为包含诗人的签名 "Ma(ro)-Pu(blius)-Ve(rgilius)"。我认为，这个作者签名可能不仅让人联想到《乔治亚》中著名的 "Ma-Ve-Pu "咏叹调，还可能让人联想到维吉尔的其他咏叹调和签名。

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Maius opus moveo: Vergil’s Hidden Signature in Aeneid 7.45?

In this article, I argue that Vergil’s vatic announcement maius opus moveo in the symbolic middle of his epic (Aen. 7.45, the closure of the invocation to Erato) should be read as containing the poet’s signature “Ma(ro)-Pu(blius)-Ve(rgilius).” This authorial signature, as I suggest, may evoke not only the famous “Ma-Ve-Pu” acrostic in the Georgics, but further Vergilian acrostics and signatures as well.

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来源期刊

CLASSICAL PHILOLOGY CLASSICS-

CiteScore

0.70

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0.00%

发文量

期刊介绍： Classical Philology has been an internationally respected journal for the study of the life, languages, and thought of the Ancient Greek and Roman world since 1906. CP covers a broad range of topics from a variety of interpretative points of view. CP welcomes both longer articles and short notes or discussions that make a significant contribution to the study of Greek and Roman antiquity. Any field of classical studies may be treated, separately or in relation to other disciplines, ancient or modern. In particular, we invite studies that illuminate aspects of the languages, literatures, history, art, philosophy, social life, and religion of ancient Greece and Rome. Innovative approaches and originality are encouraged as a necessary part of good scholarship.