坚持现状?迪士尼+上的音乐与怀旧制作

Toby Huelin
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引用次数: 0

摘要

本文探讨了《高中音乐剧:音乐剧系列》(2019-23)中音乐怀旧的产生,该剧是为迪士尼流媒体平台创作的首批剧集之一。从某种程度上说,该系列剧是《高中音乐剧》系列在背景设置和叙事结构上的怀旧延伸,也是青少年音乐剧类型的怀旧延续,它通过歌曲对高中生活进行了理想化的描述。同时,在怀旧的同时也强调了该剧的新颖性:该剧将原版电影移植到了一种新的形式--一种自我反省的、多情节的模拟记录片--并占据了一个不同的时空世界,在这个世界里,怀旧被技术中介和建构为故事情节的一部分。音乐是唤起怀旧情绪的主要感官输入,本研究以音乐为重点,探讨《系列》如何利用怀旧与现代的二元对立来构建叙事,并产生品牌亲和力。通过对视听片段的文本分析和节目创作者的从业者证词,本研究展示了《系列》如何利用音乐来发展迪斯尼的品牌,利用公司专有流媒体服务的技术和创意承诺,同时采用怀旧策略来重申其叙事的某些方面的现状。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Stick to the status quo? Music and the production of nostalgia on Disney+
This article examines the production of musical nostalgia in High School Musical: The Musical: The Series (2019–23), one of the first series created for Disney’s streaming platform. On one level, the series serves as a nostalgic extension of the High School Musical franchise in its setting and narrative construction, and a nostalgic continuation of the teen-musical genre in its idealised depiction of high-school life mediated through song. At the same time, this nostalgia is coupled with an emphasis on the show’s newness: the series transposes the original film to a new format—a self-referential, multi-episodic mockumentary—and occupies a different temporal world, in which nostalgia is technologically mediated and constructed as part of the diegesis. Focusing on music, as a primary sensory input for the evocation of nostalgia, this study explores how The Series capitalises upon this nostalgia/modernity dichotomy to structure its narrative and engender brand affinity. Drawing together textual analyses of audiovisual sequences and practitioner testimony from the show’s creatives, it demonstrates how The Series uses music to develop Disney’s brand, harnessing the technological and creative promise of the Company’s proprietary streaming service, whilst simultaneously employing nostalgic strategies to reaffirm the status quo in aspects of its narrative.
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