在家庭创伤的迷雾中通过音乐治疗技术寻找共鸣

Andeline dos Santos
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引用次数: 0

摘要

自我民族志涉及对个人经历的严谨描述,并通过后退、参与批判以及提出所获得的见解如何对他人有所帮助来对其进行定位。这篇自述的作者(一位音乐治疗师和移情研究者)试图探索她个人的移情挣扎。在她的家庭环境中,一个挑战唤起了她与过去创伤有关的经历,这使她开始使用音乐治疗技术,她问道:在移情研究中开发的工具如何帮助她理解这一经历?这些工具如何唤醒她对孩子更多的移情反应?如何通过这一过程让她更深入地了解其在音乐治疗课程中的潜在用途?通过设计一系列使用接受和主动技术的体验,她探索了两种移情途径(洞察移情和关系移情)如何帮助她处理自己的想法和感受,以及如何在所关注的家庭环境中对她的孩子产生更多的以他人为中心的移情。我们还探讨了在音乐治疗中利用这一过程的意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Finding Empathy Through Music Therapy Techniques in the Mist of Family Trauma
Autoethnography involves rigorously describing personal experience and situating this by standing back, engaging in critique, and suggesting how the insights reached could be helpful to others. The author of this autoethnography (a music therapist and empathy researcher) sought to explore her own personal empathy struggles. A challenge in her family context that evoked experiences related to past trauma invited her into a process using music therapy techniques as she asked: How can the tools developed in her research on empathy help her make sense of this experience? How can these tools awaken more empathic responses to her child? How can going through this process give her greater insight into its potential use within music therapy sessions? By designing a series of experiences using receptive and active techniques, she explored how two empathy pathways (insightful empathy and relational empathy) could assist her in processing her thoughts and feelings as well as engaging in more other-centred empathy towards her child within the family situation of concern. The implications for drawing on such a process within a music therapy context are explored.
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