气候时代的保护主义牛仔

Sarah McFarland Taylor
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引用次数: 0

摘要

本文认为,热播的西部电视连续剧《黄石公园》(2018-)提供了一个具有启发性的案例研究,说明历史悠久的媒体如何有效地利用文化共鸣、宗教色彩浓厚的成语来跨越数字过滤泡沫的薄膜,在道义上吸引两极分化的公众。该系列的大众吸引力弥合了地区、政治和宗教分歧,而那些被明确标注为 "环境媒体 "的文化创作却无法做到这一点。面对棘手的环境和农业土地管理问题,《黄石公园》有效地向更多倾向于自由主义的观众展示了美国西部多代牧场主所面临的复杂性、压力和道德挑战,同时也让农村社区感到更 "被看见 "和更受赞赏。在一个严重分裂的国家,《黄石公园》作为一部文化作品--现在已成为世界范围内更广泛的流行文化现象--展示了传奇媒体在气候时代培养共同点的强大潜力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Conservationist Cowboys in the Climate Age
This article argues that the hit Western television series, Yellowstone (2018–), offers an instructive case study as to how storied media can effectively use culturally resonant, religiously inflected idiom to cross the membrane of the digital filter bubble, morally engaging polarized publics. The series’ popular appeal bridges regional, political, and religious divides in ways that cultural creations explicitly labeled and presented as ‘environmental media’ fall short. Taking up thorny environmental and agricultural land-management issues, Yellowstone effectively presents more liberal-leaning viewers with the complexities, pressures, and ethical challenges faced by multigenerational ranchers in the American West, while making rural communities feel more ‘seen’ and appreciated. In a deeply divided country, Yellowstone, as a cultural work—and now as a broader popular cultural phenomenon worldwide—demonstrates the powerful potential of storied media to cultivate common ground in the climate age.
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