基于体验设计的平遥漆器研究

J. Dolah, Xing Zhang
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引用次数: 0

摘要

由于社会经济形式的不断发展,大部分传统手工艺的产业形式在发展浪潮中受到了更大的挑战,世界教科文组织和中国政府为此做出了巨大的努力。近年来,国家提倡文化自信,鼓励人们在满足物质需求的同时,重新关注与文化的精神联系。对传统文化的高度关注和旅游业的不断发展,使平遥漆器这一具有代表性的传统手工艺品重新回到了人们的视线中。漆器作为非物质文化遗产之一,因其工艺的复杂性和传承的艰巨性,亟需得到关注和保护。如今,体验经济已成为时代潮流,游客在旅游活动中不仅仅追求物质产品或简单的服务,而是越来越注重体验。因此,满足平遥地区游客对漆器体验的个性化需求至关重要。鉴于此,本研究基于体验设计的理论背景,以平遥漆器为研究对象,从体验的角度探索平遥漆器新的发展路径。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Research on Pingyao Lacquerware Based on Experience Design
Due to the continuous development of social and economic forms, most of the traditional handicraft forms of industry have been more challenged in the wave of development, and the world UNESCO and the Chinese government have made great efforts. In recent years, the state has promoted cultural confidence, encouraging people to re-focus on the spiritual connection with culture while satisfying their material needs. The trend of great attention to traditional culture and the continuous development of tourism have brought Pingyao lacquerware, a representative traditional handicraft, back to the public's attention. As one of the intangible cultural heritages, it is in urgent need of attention and protection due to the complexity of the craft and the difficulty of passing it on. Nowadays, the experience economy has become the trend of the times, and tourists are not only looking for material products or simple services but are also more and more concerned about their experience in travel activities. Therefore, it is essential to satisfy the personalized experience needs of tourists in the region of Pingyao regarding the lacquerware experience. Given this, this study takes Pingyao lacquerware as the object of research based on the theoretical background of experience design to explore new development paths for Pingyao lacquerware from the perspective of experience.
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