{"title":"后种族隔离时期文学改编作品中的多重人格和文化理论:对拉马丹-苏莱曼(Ramadan Suleiman)的电影版《恩德贝勒的傻瓜》(Njabulo Simakhale Ndebele's Fools)的思考","authors":"Addamms Mututa, Keyan Tomaselli","doi":"10.1080/1013929x.2024.2325770","DOIUrl":null,"url":null,"abstract":"In both apartheid and post-apartheid South Africa, literary texts have been important sites of cultural enquiry. They both historicise culture and allow new theoretical frames. However, they are al...","PeriodicalId":52015,"journal":{"name":"Current Writing-Text and Reception in Southern Africa","volume":"135 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2024-06-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Multiphrenic Identities and Cultural Theory in Post-Apartheid Literary Adaptations: Reflections on Ramadan Suleiman’s Film Version of Njabulo Simakhale Ndebele’s Fools\",\"authors\":\"Addamms Mututa, Keyan Tomaselli\",\"doi\":\"10.1080/1013929x.2024.2325770\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In both apartheid and post-apartheid South Africa, literary texts have been important sites of cultural enquiry. They both historicise culture and allow new theoretical frames. However, they are al...\",\"PeriodicalId\":52015,\"journal\":{\"name\":\"Current Writing-Text and Reception in Southern Africa\",\"volume\":\"135 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2024-06-25\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Current Writing-Text and Reception in Southern Africa\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/1013929x.2024.2325770\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Current Writing-Text and Reception in Southern Africa","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/1013929x.2024.2325770","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Multiphrenic Identities and Cultural Theory in Post-Apartheid Literary Adaptations: Reflections on Ramadan Suleiman’s Film Version of Njabulo Simakhale Ndebele’s Fools
In both apartheid and post-apartheid South Africa, literary texts have been important sites of cultural enquiry. They both historicise culture and allow new theoretical frames. However, they are al...
期刊介绍:
Current Writing: Text and Reception in Southern Africa is published bi-annually by Routledge. Current Writing focuses on recent writing and re-publication of texts on southern African and (from a ''southern'' perspective) commonwealth and/or postcolonial literature and literary-culture. Works of the past and near-past must be assessed and evaluated through the lens of current reception. Submissions are double-blind peer-reviewed by at least two referees of international stature in the field. The journal is accredited with the South African Department of Higher Education and Training.