{"title":"奥斯卡-里埃拉的《告别的黑鸟》中并置的模式、时代和世界","authors":"Claudia Gidi","doi":"10.1353/ltr.2024.a931945","DOIUrl":null,"url":null,"abstract":"<p><p>Abstract:</p><p>Óscar Liera (1946 - 1990) is undoubtedly one of the most prominent creators of the Mexican scene of the second half of the 20th century. He left us more than thirty no table dramatic works with innovative compositional forms in which the playwright displays a profound knowledge of human nature. Among them, <i>Los negros pájaros del adiós</i> 1986 stands out in its expression of the most elusive and problematic sides of a flawed love experience. The main purpose of this essay is to provide an account of some of the artistic forms that enabled Liera to build an unstable, dif fuse fictional world. in which the real and the unreal dreams and experiences not only coexist but also become frail and evanescent. To do this, I analyze essential elements of the textual composition, such as the construction of stage directions, the use of different temporal planes, and the presence of voices that testify in a problematic way about events not represented on stage.</p></p>","PeriodicalId":41320,"journal":{"name":"LATIN AMERICAN THEATRE REVIEW","volume":"79 1","pages":""},"PeriodicalIF":0.1000,"publicationDate":"2024-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Yuxtaposición de modos, tiempos y mundos en Los negros pájaros del adiós de Óscar Liera\",\"authors\":\"Claudia Gidi\",\"doi\":\"10.1353/ltr.2024.a931945\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><p>Abstract:</p><p>Óscar Liera (1946 - 1990) is undoubtedly one of the most prominent creators of the Mexican scene of the second half of the 20th century. He left us more than thirty no table dramatic works with innovative compositional forms in which the playwright displays a profound knowledge of human nature. Among them, <i>Los negros pájaros del adiós</i> 1986 stands out in its expression of the most elusive and problematic sides of a flawed love experience. The main purpose of this essay is to provide an account of some of the artistic forms that enabled Liera to build an unstable, dif fuse fictional world. in which the real and the unreal dreams and experiences not only coexist but also become frail and evanescent. To do this, I analyze essential elements of the textual composition, such as the construction of stage directions, the use of different temporal planes, and the presence of voices that testify in a problematic way about events not represented on stage.</p></p>\",\"PeriodicalId\":41320,\"journal\":{\"name\":\"LATIN AMERICAN THEATRE REVIEW\",\"volume\":\"79 1\",\"pages\":\"\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2024-07-12\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"LATIN AMERICAN THEATRE REVIEW\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/ltr.2024.a931945\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"LATIN AMERICAN THEATRE REVIEW","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/ltr.2024.a931945","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
引用次数: 0
摘要
摘要:奥斯卡-里埃拉(1946-1990 年)无疑是 20 世纪下半叶墨西哥舞台上最杰出的创作者之一。他为我们留下了三十多部形式新颖的戏剧作品,剧作家在这些作品中展现了对人性的深刻理解。其中,《Los negros pájaros del adiós 1986》以其对有缺陷的爱情经历中最难以捉摸和最有问题的一面的表达而脱颖而出。在这个世界里,真实与虚幻的梦想和经历不仅共存,而且变得脆弱和易逝。为此,我分析了文本构成的基本要素,如舞台指示的构建、不同时间平面的使用,以及以一种有问题的方式证明舞台上没有表现的事件的声音的存在。
Yuxtaposición de modos, tiempos y mundos en Los negros pájaros del adiós de Óscar Liera
Abstract:
Óscar Liera (1946 - 1990) is undoubtedly one of the most prominent creators of the Mexican scene of the second half of the 20th century. He left us more than thirty no table dramatic works with innovative compositional forms in which the playwright displays a profound knowledge of human nature. Among them, Los negros pájaros del adiós 1986 stands out in its expression of the most elusive and problematic sides of a flawed love experience. The main purpose of this essay is to provide an account of some of the artistic forms that enabled Liera to build an unstable, dif fuse fictional world. in which the real and the unreal dreams and experiences not only coexist but also become frail and evanescent. To do this, I analyze essential elements of the textual composition, such as the construction of stage directions, the use of different temporal planes, and the presence of voices that testify in a problematic way about events not represented on stage.