{"title":"了解丹麦音乐产业的其他方式:从迷失方向到女权主义集体能力","authors":"Kristine Ringsager, Katrine Wallevik","doi":"10.1080/03007766.2024.2367747","DOIUrl":null,"url":null,"abstract":"In this article, we explore how women and gender-minoritized music professionals experience the gendered infrastructure of the Danish music industry. Based on ethnographic material, we discuss how ...","PeriodicalId":46155,"journal":{"name":"POPULAR MUSIC AND SOCIETY","volume":"40 1","pages":""},"PeriodicalIF":1.3000,"publicationDate":"2024-06-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Other Ways of Knowing the Danish Music Industry: From Disorientation to Feminist Collective Capacity\",\"authors\":\"Kristine Ringsager, Katrine Wallevik\",\"doi\":\"10.1080/03007766.2024.2367747\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this article, we explore how women and gender-minoritized music professionals experience the gendered infrastructure of the Danish music industry. Based on ethnographic material, we discuss how ...\",\"PeriodicalId\":46155,\"journal\":{\"name\":\"POPULAR MUSIC AND SOCIETY\",\"volume\":\"40 1\",\"pages\":\"\"},\"PeriodicalIF\":1.3000,\"publicationDate\":\"2024-06-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"POPULAR MUSIC AND SOCIETY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/03007766.2024.2367747\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MUSIC\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"POPULAR MUSIC AND SOCIETY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/03007766.2024.2367747","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MUSIC","Score":null,"Total":0}
Other Ways of Knowing the Danish Music Industry: From Disorientation to Feminist Collective Capacity
In this article, we explore how women and gender-minoritized music professionals experience the gendered infrastructure of the Danish music industry. Based on ethnographic material, we discuss how ...
期刊介绍:
Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.