{"title":"帕索里尼与流行音乐","authors":"Karen T. Raizen","doi":"10.1080/02614340.2024.2355807","DOIUrl":null,"url":null,"abstract":"This article explores popular music in the films of Pier Paolo Pasolini. Pasolini conceived of two broad categories of popular music: folk music, which he understood to represent pre-capitalistic, ...","PeriodicalId":501451,"journal":{"name":"The Italianist","volume":"44 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2024-07-08","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Pasolini and Popular Music\",\"authors\":\"Karen T. Raizen\",\"doi\":\"10.1080/02614340.2024.2355807\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article explores popular music in the films of Pier Paolo Pasolini. Pasolini conceived of two broad categories of popular music: folk music, which he understood to represent pre-capitalistic, ...\",\"PeriodicalId\":501451,\"journal\":{\"name\":\"The Italianist\",\"volume\":\"44 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2024-07-08\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Italianist\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/02614340.2024.2355807\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Italianist","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/02614340.2024.2355807","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This article explores popular music in the films of Pier Paolo Pasolini. Pasolini conceived of two broad categories of popular music: folk music, which he understood to represent pre-capitalistic, ...