{"title":"\"不要放弃配给卡\":华沙犹太人区的乞丐、噪音和音乐目的","authors":"Jules Riegel","doi":"10.2979/jss.00011","DOIUrl":null,"url":null,"abstract":"<p><p>Abstract:</p><p><i>From its 1940 establishment to the Great Deportation of 1942, accounts from the Warsaw Ghetto testify to the misery of beggars within its walls, who drew attention to their plight using songs, cries, shouts, and other sounds. Diaries, reports, and song texts from the ghetto, alongside memoirs and testimonies, reveal beggars’ struggles—as well as non-beggars’ often hostile reactions to their songs and other sounds. Drawing on scholarship in sensory history and cultural histories of the Holocaust, this article reveals that these reactions perpetuated established critiques of</i> shund <i>(artistic “trash”) and tapped into longstanding anxieties about the Jewish community’s status as modern, civilized, and European. However, certain beggars’ songs overcame listeners’ hostility by directly confronting inequality and ghetto authorities’ abuses of power. Beggars and their music were intrinsic to the Warsaw Ghetto’s soundscape, and the debates they engendered reveal how Polish Jews imagined their community’s future, even amid its destruction</i>.</p></p>","PeriodicalId":45288,"journal":{"name":"JEWISH SOCIAL STUDIES","volume":"111 1","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2024-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"\\\"Don't Give Up Your Ration Card\\\": Beggars, Noise, and the Purpose of Music in the Warsaw Ghetto\",\"authors\":\"Jules Riegel\",\"doi\":\"10.2979/jss.00011\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"<p><p>Abstract:</p><p><i>From its 1940 establishment to the Great Deportation of 1942, accounts from the Warsaw Ghetto testify to the misery of beggars within its walls, who drew attention to their plight using songs, cries, shouts, and other sounds. Diaries, reports, and song texts from the ghetto, alongside memoirs and testimonies, reveal beggars’ struggles—as well as non-beggars’ often hostile reactions to their songs and other sounds. Drawing on scholarship in sensory history and cultural histories of the Holocaust, this article reveals that these reactions perpetuated established critiques of</i> shund <i>(artistic “trash”) and tapped into longstanding anxieties about the Jewish community’s status as modern, civilized, and European. However, certain beggars’ songs overcame listeners’ hostility by directly confronting inequality and ghetto authorities’ abuses of power. Beggars and their music were intrinsic to the Warsaw Ghetto’s soundscape, and the debates they engendered reveal how Polish Jews imagined their community’s future, even amid its destruction</i>.</p></p>\",\"PeriodicalId\":45288,\"journal\":{\"name\":\"JEWISH SOCIAL STUDIES\",\"volume\":\"111 1\",\"pages\":\"\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2024-06-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"JEWISH SOCIAL STUDIES\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2979/jss.00011\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"JEWISH SOCIAL STUDIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2979/jss.00011","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
"Don't Give Up Your Ration Card": Beggars, Noise, and the Purpose of Music in the Warsaw Ghetto
Abstract:
From its 1940 establishment to the Great Deportation of 1942, accounts from the Warsaw Ghetto testify to the misery of beggars within its walls, who drew attention to their plight using songs, cries, shouts, and other sounds. Diaries, reports, and song texts from the ghetto, alongside memoirs and testimonies, reveal beggars’ struggles—as well as non-beggars’ often hostile reactions to their songs and other sounds. Drawing on scholarship in sensory history and cultural histories of the Holocaust, this article reveals that these reactions perpetuated established critiques of shund (artistic “trash”) and tapped into longstanding anxieties about the Jewish community’s status as modern, civilized, and European. However, certain beggars’ songs overcame listeners’ hostility by directly confronting inequality and ghetto authorities’ abuses of power. Beggars and their music were intrinsic to the Warsaw Ghetto’s soundscape, and the debates they engendered reveal how Polish Jews imagined their community’s future, even amid its destruction.
期刊介绍:
Jewish Social Studies recognizes the increasingly fluid methodological and disciplinary boundaries within the humanities and is particularly interested both in exploring different approaches to Jewish history and in critical inquiry into the concepts and theoretical stances that underpin its problematics. It publishes specific case studies, engages in theoretical discussion, and advances the understanding of Jewish life as well as the multifaceted narratives that constitute its historiography.