神圣的悲伤,神圣的喜悦:埃德维奇-丹提卡特的诗篇美学

IF 0.1 4区 哲学 0 RELIGION
Tanya Jo Woodward
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引用次数: 0

摘要

与流行的解释相比,《诗篇》并不那么整洁和线性,作者埃德维奇-丹提卡特探索了哀叹与欢乐之间的非线性张力。她的写作是周期性的,而非线性的。当丹蒂卡特探索悲剧与喜庆并存的个人和群体时,她的写作呼应了《诗篇》的不同基调和情感。在她的作品中,关于国家和个人生死、分离与团聚的故事在结构上荡气回肠。她以个人故事为背景,通过海地移民的大故事,雄辩地探讨了令人痛心的生与死的顺序。正如《诗篇》作者使用的 vav adversative,或喜悦与哀叹的转折运动,丹蒂卡特同样表达了她对人类经验范围的流畅参与(Card 75,70)。丹蒂卡特的诗篇美学以及她 "完全清醒、充满活力 "地与悲伤和喜悦搏斗的经历,有助于读者重新思考个人和国家的悲剧与胜利。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Sacred Sorrow, Sacred Joy: The Psalmic Aesthetic in Edwidge Danticat

The Psalmic is less tidy and linear than popular interpretation, and author Edwidge Danticat explores the non-linear tensions between lament and joy. Her writing is cyclical rather than linear. As Danticat explores the individual and communal juxtaposition of tragedy and celebration, her writing echoes the varied tenor and emotions of the Psalms. Haunting tales of national and personal life and death, separation and reunion are structurally played across her works. The heartrending sequence of life and death is eloquently explored through personal stories set against larger tales of Haitian immigration. Just as the Psalmist employs the vav adversative, or turning movements of joy and lament, Danticat likewise expresses her fluid engagement with the range of human experience (Card 75, 70). Danticat’s Psalmic aesthetic and her “fully awake and alive” wrestling with grief and celebration helps readers reconsider personal and national tragedy and triumph.

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CiteScore
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