克服冷战思维:芬兰小镇与苏联音乐专家的邂逅

IF 0.7 2区 历史学 Q1 HISTORY
Simo Mikkonen, Antti Okko
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引用次数: 0

摘要

本文探讨了芬兰一个地区小镇的音乐节如何克服具体和想象中的冷战限制,从 20 世纪 60 年代中期开始成为苏联和西方音乐家持续接触的场所。它解释了始于1956年的于韦斯屈莱夏季音乐节作为北欧国家首批同类音乐节之一,是如何充当中间人,并设法为几位知名度很高的苏联音乐家争取到长达一个月的演出合同和大师班,而苏联国家安全机构的监视相对较少,从而使东西方参与者之间有了更深入的交流。尽管需要克服许多障碍和挑战,但事实证明,利用音乐和艺术缓解冷战紧张局势对苏联和芬兰都是有益的,有助于减少文化成见、引进新的音乐形式、提高表演者的地位、促进职业发展,并为以前分离的社会之间的长期合作打开机会之门。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Overcoming a Cold War Mindset: Encounters with Soviet Musical Expertise in a Finnish Town
This article examines how a music festival in a regional Finnish town managed to overcome concrete and imagined Cold War limitations to become a venue for sustained encounters between Soviet and Western musicians starting in the mid-1960s. It explains how the Jyväskylä Summer Festival, which began in 1956 as one of the first festivals of its kind in the Nordic countries, acted as an intermediary and managed to secure contracts for several high-profile Soviet musicians to perform and provide master classes for up to a month, with relatively little surveillance from the Soviet state security apparatus, allowing for deeper interaction among Eastern and Western participants. Although many obstacles and challenges had to be overcome, the use of music and art to ease Cold War tensions proved beneficial to both the USSR and Finland and helped reduce cultural stereotypes, introduce new forms of music, improve performer agency, promote careers, and open doors to opportunities for long-term cooperation between previously separated societies.
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CiteScore
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