编者按

IF 0.3 0 ASIAN STUDIES
Cheehyung Harrison Kim
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The authors of the two Special Sections question and explore various historical and cultural predicaments of Confucianism and motherhood in modern and contemporary Korea.</p> <p>The Special Section on the invention of Confucian traditions begins with Daham Chong's meticulous account of the influence Max Weber had on modern Korean historians' comprehension of Confucianism-derived systems in late Koryŏ and early Chosŏn, namely the civil service examination. Young-chan Choi (University of Oxford) adroitly investigates the epistemological changes distinctly occurring in late nineteenth century Korea, in which Confucianism comes to be seen as inferior to the modernist understandings of the world stemming from Protestantism. The postliberation space is Kim Hunjoo's (Hanbat National University) research area, where the process of remaking Confucianism as a new tradition is carefully scrutinized in relation to the nation building process. The final piece in this Special Section is on literary culture. Owen <strong>[End Page v]</strong> Stampton's (University of British Columbia) sophisticated article probes into the tension between tradition and modern life as experienced by women characters in Yi Kwang-su's 1917 play <em>Kyuhan</em>, as well as discussing the birth of the modern stage in Korea.</p> <p>South Korea's variegated cultural expressions of motherhood is the theme of the second Special Section. It starts with Ji-yoon An's (University of British Columbia) keen multilayered comparison of the notion of motherhood between Kore-eda Hirokazu's <em>Broker</em> (2022) and South Korean films from the 1990s and 2000s about the absurd aspects of marriage and family, films such as <em>My Wife Got Married</em> (2008). Turning to television, Young A. Jung's (George Mason University) engrossing article approaches motherhood as a totalizing system, as represented in South Korea's recent—and popular—television dramas such as <em>Sky Castle</em> (2018–2019). The incongruent surge of feminism is at the center of Barbara Wall's (University of Copenhagen) astute discussion of motherhood and mothering, as evoked by South Korea's 2019 television drama <em>When the Camellia Blooms</em>. The intricate and problematic relationship between motherhood, religiosity, and women's emancipation is covered in Andrew Logie's (University of Helsinki) fascinating piece on the religion Chŭngsando's (Jeung San Do) portrayal of its leader Ko P'allye, a woman who led a radical subaltern life in early twentieth century. Motherhood as depicted in the genre of webtoons is the subject of Bonnie Tilland's (Leiden University) innovative and appurtenant article, especially as it deals with the changing norms of parenting where humor becomes an important category of expression.</p> <p>The volume also showcases excellent research articles and a review article. Hyosun Lee (Yonsei University) makes a critical intervention into the South Korean government's idea of a model refugee by pointing out the diverse trajectories of livelihood led by North Koreans in South Korea, as it is represented in literature and film. The topic of people's resettlement continues with Nur Aisyah Kotarumalos' (Seoul National University) highly relevant, interview-based research on Indonesian migrants in South Korea as they navigate the discriminatory landscape of the labor market. The contestation of memory regarding Syngman Rhee, as Rhee's life was \"rediscovered\" by the conservatives in the 1990s, is sharply investigated in Patrick Vierthaler's historical piece. Korean women's autonomy in late nineteenth and early twentieth centuries is splendidly explored in Kyrie Vermette's (University of British Columbia) study, which shows that Western missionary women's goals were often at odds with Korean <strong>[End Page vi]</strong> women's independent aspirations. An outstanding review article on the history of <em>han</em> as discourse is by Kristjana Gunnars (University of Iceland).</p> <p>The volume concludes with four pertinent book reviews. 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The second is guest editor Bonnie Tilland's (Leiden University) superb \\\"Portrayals of Motherhood in South Korean Popular and Practiced Culture.\\\" Confucianism and motherhood are notions and practices tied to the ideological perception of constancy, on the one hand, and the shifting epistemological norms based on cultural and historical exigencies, on the other. The authors of the two Special Sections question and explore various historical and cultural predicaments of Confucianism and motherhood in modern and contemporary Korea.</p> <p>The Special Section on the invention of Confucian traditions begins with Daham Chong's meticulous account of the influence Max Weber had on modern Korean historians' comprehension of Confucianism-derived systems in late Koryŏ and early Chosŏn, namely the civil service examination. Young-chan Choi (University of Oxford) adroitly investigates the epistemological changes distinctly occurring in late nineteenth century Korea, in which Confucianism comes to be seen as inferior to the modernist understandings of the world stemming from Protestantism. The postliberation space is Kim Hunjoo's (Hanbat National University) research area, where the process of remaking Confucianism as a new tradition is carefully scrutinized in relation to the nation building process. The final piece in this Special Section is on literary culture. Owen <strong>[End Page v]</strong> Stampton's (University of British Columbia) sophisticated article probes into the tension between tradition and modern life as experienced by women characters in Yi Kwang-su's 1917 play <em>Kyuhan</em>, as well as discussing the birth of the modern stage in Korea.</p> <p>South Korea's variegated cultural expressions of motherhood is the theme of the second Special Section. 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The intricate and problematic relationship between motherhood, religiosity, and women's emancipation is covered in Andrew Logie's (University of Helsinki) fascinating piece on the religion Chŭngsando's (Jeung San Do) portrayal of its leader Ko P'allye, a woman who led a radical subaltern life in early twentieth century. Motherhood as depicted in the genre of webtoons is the subject of Bonnie Tilland's (Leiden University) innovative and appurtenant article, especially as it deals with the changing norms of parenting where humor becomes an important category of expression.</p> <p>The volume also showcases excellent research articles and a review article. Hyosun Lee (Yonsei University) makes a critical intervention into the South Korean government's idea of a model refugee by pointing out the diverse trajectories of livelihood led by North Koreans in South Korea, as it is represented in literature and film. 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引用次数: 0

摘要

以下是内容的简要摘录,以代替摘要: 编者按 Cheehyung Harrison Kim 本卷的核心内容是两个相互关联的特辑。第一个专题题为 "韩国儒家传统发明的跨国解读",由 Daham Chong(尚明大学)担任特邀编辑。第二本是客座编辑邦妮-蒂兰德(Bonnie Tilland)(莱顿大学)的超级大作《韩国流行和实践文化中的母亲形象》。儒学和母性的概念和实践一方面与意识形态中的恒常观念相联系,另一方面又与基于文化和历史迫切需要的不断变化的认识论规范相联系。两个特别单元的作者对现代和当代韩国儒教和母性的各种历史和文化困境提出了质疑和探讨。关于儒家传统发明的专题部分首先由庄大岩(Daham Chong)细致论述了马克斯-韦伯(Max Weber)对现代韩国历史学家理解高丽末期和朝鲜早期儒家衍生制度(即文官考试)的影响。Young-chan Choi(牛津大学)巧妙地研究了 19 世纪末韩国认识论发生的明显变化,在这种变化中,儒家思想被视为不如新教产生的现代主义对世界的理解。Kim Hunjoo(韩国国立韩巴大学)的研究领域是解放后的空间,在这一领域中,将儒学重塑为新传统的过程与国家建设过程相关联,并对这一过程进行了仔细的审视。本专栏的最后一篇文章是关于文学文化的。欧文-斯坦普顿(Owen [End Page v] Stampton,英属哥伦比亚大学)的文章深入探讨了李光洙 1917 年的戏剧《九汉》中女性角色所经历的传统与现代生活之间的紧张关系,并讨论了韩国现代舞台的诞生。韩国对母性的不同文化表达是第二个特别单元的主题。首先,Ji-yoon An(不列颠哥伦比亚大学)对韩国电影大师是枝裕和的《经纪人》(2022 年)与 20 世纪 90 年代和 2000 年代韩国电影(如《我妻子结婚了》(2008 年))之间的母性概念进行了敏锐的多层次比较。谈到电视,Young A. Jung(乔治-梅森大学)的文章引人入胜,将母性作为一种全面化的系统,在韩国近期流行的电视剧中有所体现,如《天空之城》(2018-2019)。芭芭拉-沃尔(哥本哈根大学)敏锐地讨论了韩国 2019 年电视剧《山茶花开时》(When the Camellia Blooms)中唤起的母性和母爱,而女权主义的不协调涌动正是这篇文章的中心。安德鲁-罗吉(Andrew Logie)(赫尔辛基大学)的一篇关于《正山道》(Chŭngsando)对其领袖Ko P'allye的描写引人入胜,Ko P'allye是一位在二十世纪初过着激进的次等生活的女性,这篇文章探讨了母性、宗教信仰和妇女解放之间错综复杂而又问题重重的关系。邦妮-蒂兰德(Bonnie Tilland)(莱顿大学)的文章以网络漫画的形式描绘了母性,这篇文章既新颖又贴切,特别是它涉及到了不断变化的育儿规范,在这种规范下,幽默成为了一种重要的表达方式。本卷还收录了一些优秀的研究文章和一篇评论文章。Hyosun Lee(延世大学)对韩国政府提出的 "模范难民 "概念进行了批判性干预,指出文学和电影中表现的北朝鲜人在韩国的不同生活轨迹。Nur Aisyah Kotarumalos(首尔国立大学)以访谈为基础,对在韩国的印尼移民在劳动力市场的歧视性环境中的生活进行了研究。Patrick Vierthaler 的历史文章尖锐地探讨了有关李承晚的记忆争论,因为李承晚的生平在 20 世纪 90 年代被保守派 "重新发现"。Kyrie Vermette(英属哥伦比亚大学)的研究出色地探讨了 19 世纪末和 20 世纪初韩国妇女的自主性,该研究表明,西方传教士妇女的目标往往与韩国 [尾页 vi] 妇女的独立愿望相悖。Kristjana Gunnars(冰岛大学)撰写了一篇关于作为话语的韩语历史的出色评论文章。本卷最后附有四篇相关书评。Hosub...
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Editor's Note
In lieu of an abstract, here is a brief excerpt of the content:

  • Editor's Note
  • Cheehyung Harrison Kim

Two interconnected Special Sections are at the core of this volume. The first is titled "A Transnational Reading of the Invention of Korea's Confucian Traditions," exceptionally guest edited by Daham Chong (Sangmyung University). The second is guest editor Bonnie Tilland's (Leiden University) superb "Portrayals of Motherhood in South Korean Popular and Practiced Culture." Confucianism and motherhood are notions and practices tied to the ideological perception of constancy, on the one hand, and the shifting epistemological norms based on cultural and historical exigencies, on the other. The authors of the two Special Sections question and explore various historical and cultural predicaments of Confucianism and motherhood in modern and contemporary Korea.

The Special Section on the invention of Confucian traditions begins with Daham Chong's meticulous account of the influence Max Weber had on modern Korean historians' comprehension of Confucianism-derived systems in late Koryŏ and early Chosŏn, namely the civil service examination. Young-chan Choi (University of Oxford) adroitly investigates the epistemological changes distinctly occurring in late nineteenth century Korea, in which Confucianism comes to be seen as inferior to the modernist understandings of the world stemming from Protestantism. The postliberation space is Kim Hunjoo's (Hanbat National University) research area, where the process of remaking Confucianism as a new tradition is carefully scrutinized in relation to the nation building process. The final piece in this Special Section is on literary culture. Owen [End Page v] Stampton's (University of British Columbia) sophisticated article probes into the tension between tradition and modern life as experienced by women characters in Yi Kwang-su's 1917 play Kyuhan, as well as discussing the birth of the modern stage in Korea.

South Korea's variegated cultural expressions of motherhood is the theme of the second Special Section. It starts with Ji-yoon An's (University of British Columbia) keen multilayered comparison of the notion of motherhood between Kore-eda Hirokazu's Broker (2022) and South Korean films from the 1990s and 2000s about the absurd aspects of marriage and family, films such as My Wife Got Married (2008). Turning to television, Young A. Jung's (George Mason University) engrossing article approaches motherhood as a totalizing system, as represented in South Korea's recent—and popular—television dramas such as Sky Castle (2018–2019). The incongruent surge of feminism is at the center of Barbara Wall's (University of Copenhagen) astute discussion of motherhood and mothering, as evoked by South Korea's 2019 television drama When the Camellia Blooms. The intricate and problematic relationship between motherhood, religiosity, and women's emancipation is covered in Andrew Logie's (University of Helsinki) fascinating piece on the religion Chŭngsando's (Jeung San Do) portrayal of its leader Ko P'allye, a woman who led a radical subaltern life in early twentieth century. Motherhood as depicted in the genre of webtoons is the subject of Bonnie Tilland's (Leiden University) innovative and appurtenant article, especially as it deals with the changing norms of parenting where humor becomes an important category of expression.

The volume also showcases excellent research articles and a review article. Hyosun Lee (Yonsei University) makes a critical intervention into the South Korean government's idea of a model refugee by pointing out the diverse trajectories of livelihood led by North Koreans in South Korea, as it is represented in literature and film. The topic of people's resettlement continues with Nur Aisyah Kotarumalos' (Seoul National University) highly relevant, interview-based research on Indonesian migrants in South Korea as they navigate the discriminatory landscape of the labor market. The contestation of memory regarding Syngman Rhee, as Rhee's life was "rediscovered" by the conservatives in the 1990s, is sharply investigated in Patrick Vierthaler's historical piece. Korean women's autonomy in late nineteenth and early twentieth centuries is splendidly explored in Kyrie Vermette's (University of British Columbia) study, which shows that Western missionary women's goals were often at odds with Korean [End Page vi] women's independent aspirations. An outstanding review article on the history of han as discourse is by Kristjana Gunnars (University of Iceland).

The volume concludes with four pertinent book reviews. Hosub...

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Korean Studies
Korean Studies ASIAN STUDIES-
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