不是因为不存在，才不存在"：黑人弗拉门戈表演中的可见性与不可见性

IF 0.1 4区艺术学 0 THEATER

PERFORMANCE RESEARCH Pub Date : 2024-05-14 DOI:10.1080/13528165.2023.2321060

Amy Schofield

引用次数: 0

摘要

自弗拉门戈诞生以来，这种艺术形式一直是边缘化民族的一种复原和抵抗行为，而现在，黑人弗拉门戈艺术家比以往任何时候都更加引人注目。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

PERFORMANCE RESEARCH THEATER-

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： Performance Research is a specialist journal that promotes a dynamic interchange between scholarship and practice in an expanding field of performance. Interdisciplinary in vision and international in scope, its emphasis is on research in contemporary performance arts within changing cultures. Performance Research is published in English and welcomes submissions in other languages. The Editors encourage work that challenges boundaries between disciplines and media. Each issue contains articles, documents, interviews, reviews as well as illustrations and original artworks.