班索科尔安魂曲、情感强化和记忆激活

IF 1.4 2区 心理学 Q1 CULTURAL STUDIES
Rachel Hughes
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引用次数: 0

摘要

本文探讨了最近的一首多媒体安魂曲如何为红色高棉受害者寻求安息,以及如何与冲突后散居国外的柬埔寨受众建立联系。这首安魂曲由 Him Sophy 创作,名字来源于一种帮助重生的葬礼仪式:Bangsokol。Bangsokol 由研究员特伦特-沃克(Trent Walker)创作剧本,2017-2019 年期间在多个国际城市演出,结合了高棉语和巴利语的吟唱和歌唱,以及柬埔寨传统管弦乐队和西方室内乐团的音乐。柬埔寨电影制片人里西-潘(Rithy Panh)将电影影像投射到演出背景中,并伴有游行、击鼓和舞蹈等舞台表演元素。我借鉴了对《班索科尔安魂曲》主要创作者的采访、《安魂曲》开发过程中的视觉文献,以及 2017 年 10 月在墨尔本艺术节上的首演体验。我效仿伊丽莎白-格罗斯(Elizabeth Grosz)对艺术的研究,从 "激活 "能力的角度考虑《安魂曲》,并追溯其三个微观政治改变的成就。我认为,演出将现有的纪念性反语去领土化,并通过情感强化体验将散居地和更广泛的观众重新联系在一起。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Bangsokol Requiem, affective intensification, and memory activation
This article examines how a recent multi-media requiem sought rest for Khmer Rouge victims and connected audiences in the Cambodian post-conflict diaspora. Composed by Him Sophy, the requiem takes its name from a funeral ritual that assists re-birth: Bangsokol. Performed in various international cities throughout the years 2017–2019, Bangsokol, with a libretto by researcher Trent Walker, combined chanting and singing in Khmer and Pali with the music of a traditional Cambodian orchestra blended with that of a Western chamber orchestra. The performance was backlit by projected film images by Cambodian filmmaker Rithy Panh, and accompanied by stage performance elements such as procession, drumming, and dance. I draw on interviews with the key creatives involved in the Bangsokol Requiem, visual documentation of the Requiem in development, and experiences of its premiere performances at the Melbourne Festival in October 2017. I follow Elizabeth Grosz on art to consider the Requiem in terms of its capacity for ‘activation’ and trace three of its micropolitical alter-accomplishments. I argue that the performances deterritorialised existing memorial refrains and reconnected diasporic and wider audiences through an experience of affective intensification.
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来源期刊
Memory Studies
Memory Studies Multiple-
CiteScore
2.30
自引率
18.20%
发文量
75
期刊介绍: Memory Studies is an international peer reviewed journal. Memory Studies affords recognition, form, and direction to work in this nascent field, and provides a critical forum for dialogue and debate on the theoretical, empirical, and methodological issues central to a collaborative understanding of memory today. Memory Studies examines the social, cultural, cognitive, political and technological shifts affecting how, what and why individuals, groups and societies remember, and forget. The journal responds to and seeks to shape public and academic discourse on the nature, manipulation, and contestation of memory in the contemporary era.
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