{"title":"极权主义如何反映在女作家的生活和作品中","authors":"Tamila Davitadze, Nana Mazmishvili","doi":"10.37708/bf.swu.v33i2.14","DOIUrl":null,"url":null,"abstract":"How many people, when and why became victims of totalitarianism in Georgia instinctively has been exciting the citizens to this day, however, to our surprise, knowledge about the causes of this tragedy and the motivation of the people involved in it is not increasing - on the contrary, becomes more obscure and mythologized; due to the lack of information and stereotypes, the issue often turns into a tool of manipulation in the hands of interested parties. Today's unfavorable reality - when public interest is low and knowledge is saturated with stereotypes, the research of the Soviet past is very fragmented and small-scale. Free access to documents depicting mass repressions carried out by the Soviet totalitarian regime is not possible. In various ways, the National Archive offers the readers to familiarize themselves with the records of the archival funds of law enforcement agencies and courts from 1930 to the present day - where the names and surnames of the victims of the Soviet terror are barcoded and which we would like to share in the present research. The main subject of our research is how totalitarianism affected the life and creativity of Georgian women writers; the object of the research is Marika Mikeladze (1933-2015), a translator and writer and Zaira Arsenishvili’s, a write and screenwriter, work and life full of difficulties in the conditions of repressions and totalitarian regime.","PeriodicalId":40507,"journal":{"name":"Balkanistic Forum","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2024-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"How Totalitarianism was Reflected on the Life and Work of Women Writers\",\"authors\":\"Tamila Davitadze, Nana Mazmishvili\",\"doi\":\"10.37708/bf.swu.v33i2.14\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"How many people, when and why became victims of totalitarianism in Georgia instinctively has been exciting the citizens to this day, however, to our surprise, knowledge about the causes of this tragedy and the motivation of the people involved in it is not increasing - on the contrary, becomes more obscure and mythologized; due to the lack of information and stereotypes, the issue often turns into a tool of manipulation in the hands of interested parties. Today's unfavorable reality - when public interest is low and knowledge is saturated with stereotypes, the research of the Soviet past is very fragmented and small-scale. Free access to documents depicting mass repressions carried out by the Soviet totalitarian regime is not possible. In various ways, the National Archive offers the readers to familiarize themselves with the records of the archival funds of law enforcement agencies and courts from 1930 to the present day - where the names and surnames of the victims of the Soviet terror are barcoded and which we would like to share in the present research. The main subject of our research is how totalitarianism affected the life and creativity of Georgian women writers; the object of the research is Marika Mikeladze (1933-2015), a translator and writer and Zaira Arsenishvili’s, a write and screenwriter, work and life full of difficulties in the conditions of repressions and totalitarian regime.\",\"PeriodicalId\":40507,\"journal\":{\"name\":\"Balkanistic Forum\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2024-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Balkanistic Forum\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.37708/bf.swu.v33i2.14\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Balkanistic Forum","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.37708/bf.swu.v33i2.14","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
How Totalitarianism was Reflected on the Life and Work of Women Writers
How many people, when and why became victims of totalitarianism in Georgia instinctively has been exciting the citizens to this day, however, to our surprise, knowledge about the causes of this tragedy and the motivation of the people involved in it is not increasing - on the contrary, becomes more obscure and mythologized; due to the lack of information and stereotypes, the issue often turns into a tool of manipulation in the hands of interested parties. Today's unfavorable reality - when public interest is low and knowledge is saturated with stereotypes, the research of the Soviet past is very fragmented and small-scale. Free access to documents depicting mass repressions carried out by the Soviet totalitarian regime is not possible. In various ways, the National Archive offers the readers to familiarize themselves with the records of the archival funds of law enforcement agencies and courts from 1930 to the present day - where the names and surnames of the victims of the Soviet terror are barcoded and which we would like to share in the present research. The main subject of our research is how totalitarianism affected the life and creativity of Georgian women writers; the object of the research is Marika Mikeladze (1933-2015), a translator and writer and Zaira Arsenishvili’s, a write and screenwriter, work and life full of difficulties in the conditions of repressions and totalitarian regime.
期刊介绍:
"Balkanistic Forum" is published since 1992 as a yearly edition of the “Seminar for Balkan Studies and Specialization” to the South-Western University “Neofyt Rilski” Blagoevgrad. Since 1995 it is published in thematic issues -3 issues per year. The main task of the Journal is to provide free forum for discussing important historical and present problems of the Balkans in European and wider context. It is designed as an interdisciplinary journal uniting the efforts of specialists in History, Sociology, Literature, Anthropology, Linguistics, Culture Studies.