{"title":"文化定位的解构:对作为纳玛苏德文学先驱的德维贾-卡奈的评价","authors":"Jyoti Biswas","doi":"10.1177/2455328x241228084","DOIUrl":null,"url":null,"abstract":"Despite being one of the largest ethnic communities in Bengal delta, the Namasudras have never been acknowledged in the domain of production of knowledge, especially literature. The present article is a maiden attempt to locate the root of their literary heritage and to evaluate their contribution to literature. In this endeavour, the article transcends the Namasudra history that began in 1812, and goes beyond it, especially in the medieval period. It argues that the medieval folk poet Dvija Kanai who composed a folk ballad named Mahua was the first literary representative of this community. In this respect, this article deconstructs the modern literary culture of Namasudras, namely Dalit literature in which they have made a significant contribution. It argues that, unlike the modern Dalit Namasudra writers, the folk poet Dvija Kanai was the pioneer of Namasudra literature. 1","PeriodicalId":53196,"journal":{"name":"Contemporary Voice of Dalit","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2024-06-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Deconstruction of Cultural Location: Evaluation of Dvija Kanai as the Pioneer of Namasudra Literature\",\"authors\":\"Jyoti Biswas\",\"doi\":\"10.1177/2455328x241228084\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Despite being one of the largest ethnic communities in Bengal delta, the Namasudras have never been acknowledged in the domain of production of knowledge, especially literature. The present article is a maiden attempt to locate the root of their literary heritage and to evaluate their contribution to literature. In this endeavour, the article transcends the Namasudra history that began in 1812, and goes beyond it, especially in the medieval period. It argues that the medieval folk poet Dvija Kanai who composed a folk ballad named Mahua was the first literary representative of this community. In this respect, this article deconstructs the modern literary culture of Namasudras, namely Dalit literature in which they have made a significant contribution. It argues that, unlike the modern Dalit Namasudra writers, the folk poet Dvija Kanai was the pioneer of Namasudra literature. 1\",\"PeriodicalId\":53196,\"journal\":{\"name\":\"Contemporary Voice of Dalit\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2024-06-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Contemporary Voice of Dalit\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/2455328x241228084\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"SOCIAL SCIENCES, INTERDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary Voice of Dalit","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/2455328x241228084","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"SOCIAL SCIENCES, INTERDISCIPLINARY","Score":null,"Total":0}
Deconstruction of Cultural Location: Evaluation of Dvija Kanai as the Pioneer of Namasudra Literature
Despite being one of the largest ethnic communities in Bengal delta, the Namasudras have never been acknowledged in the domain of production of knowledge, especially literature. The present article is a maiden attempt to locate the root of their literary heritage and to evaluate their contribution to literature. In this endeavour, the article transcends the Namasudra history that began in 1812, and goes beyond it, especially in the medieval period. It argues that the medieval folk poet Dvija Kanai who composed a folk ballad named Mahua was the first literary representative of this community. In this respect, this article deconstructs the modern literary culture of Namasudras, namely Dalit literature in which they have made a significant contribution. It argues that, unlike the modern Dalit Namasudra writers, the folk poet Dvija Kanai was the pioneer of Namasudra literature. 1